cineverse, Author at CineVerse Daily

Sep162022 by cineverseNo Comments

Man Arrested For Lunging At & Trying To Grab The Queen’s Coffin

News

A man was arrested after attempting to grab Queen Elizabeth II's coffin on Sept. 16, just one week after her death. We have the details below. By: Sabrina Picou Following Queen Elizabeth II’s death on Sept. 8, 2022, a Friday evening vigil was held on Sept. 16 — and a man charged her coffin, lunging violently and attempting to grab it. In photos, which you can see HERE, the unidentified man was immediately tackled to the ground by police and arrested on the spot. Not only did the man attempt to grab Her Majesty’s coffin, but he also lifted the Royal Standard (the United Kingdom’s official flag), according to the outlet. Onlookers were reportedly shocked and gasped at the disrespectful events that took place around 10 pm on Friday. The man also reportedly shoved a seven-year-old gir...

Sep162022 by cineverseNo Comments

Prince Harry & Meghan Markle Uninvited To Pre-Funeral Reception At The Palace: Report

LifeStyle, News

The Duke and Duchess of Sussex reportedly received an invite earlier this week and are 'baffled' by the situation. By: Sara Whitman Prince Harry, 37, and Meghan Markle, 41, have been mourning Queen Elizabeth II alongside Prince William, 39, Kate Middleton, 40, King Charles III, 73, and other members of the British royal family since her death on Sept. 8, but they will not be invited to attend her pre-funeral reception. According to a source for The Telegraph, the pair was actually uninvited to the event after they were accidentally extended an invite earlier this week. Harry and Meghan “appeared baffled” by the situation, per the insider.HollywoodLife reached out to both Harry and Meghan’s representatives for confirmation on the matter but did not receive an immediate reply. The even...

Sep152022 by cineverseNo Comments

effect on the process of writing on the cinema

LifeStyle

by Saman Sadeqi Capableness of the art of production in the movie "Paradise" shot by Ali Atshani Undoubtedly, it should be said the modern art of production and the actions taken in could be a wonderful experience for both the film and the director. In this popular and fancy art, a fundamental and correlated production alongside the film production- which is not only based on profit and wealth- would be the key for creating valuable opuses; in addition, would result in the emergence of very influential characters on the director's position. During some years, while Iran's independent cinema has been being involved in the process of producing these cultural products, many samples of making good, creative and memorable films could be figured out in its glorious career within which without...

Sep122022 by cineverseNo Comments

Producing in two different fields powerfully

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Dr. Hooman sepantamehr Many people may believe that there is no difference between producing a film, and TV series (nowadays other platforms too), However, this judgment is not accurate. When the viewers watch a film on a theatre screen with all the details shown in perfection, and with the Dolby sound quality, watching the whole film at once without being able to rewind, things would Be much different than watching the same film on a DVD player or other platforms at home, where you can pause, drink some coffee, and replay. This example brings up just one of the differences between Cinema and TV. Producing content for both of these platforms requires expertise in both fields. A producer who is successful in one of the fields is not necessarily successful in the other field, and vice ver...

Sep82022 by cineverseNo Comments

‘Dynasty’ Series Finale: “There Was Literally No Discussion About Ratings Ever,”

LifeStyle, News

Admits Showrunner Josh Reims. By Lynette Rice Dynasty, the CW’s reboot of the beloved ABC sudser from the ’80s, came to an end Friday night after five seasons. Here, showrunner Josh Reims talks about what he really wanted to do in the last episode, and how odd it was that ratings for the sudser were never really discussed. DEADLINE: Did you have enough time to plan for a series finale? JOSH REIMS We actually planned a series finale and a season finale, just in case. We did twice the work, basically. Did you know you wanted to end with the wedding? REIMS That came up near the end. For some reason we kept ending seasons with weddings and we thought it would be fun to do it again. We figured Culhane (Robert C. Riley) and Nina (Felisha Terrell) were the best couple to do it, ...

Aug82022 by cineverseNo Comments

Recycled Tropes and the Persistence of Islamophobia in American Films

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By Meagen Tajalle In this essay, I provide a content analysis of commercially and critically successful films that perpetuate popularized Islamophobia, which is often masked as irreconcilable religious and cultural difference although it has in fact been consistently manufactured and weaponized throughout history in order to further Western empirical interests. Recycled tropes and stereotypes in cinematic depictions can be traced back to historical orientalism and political Islamophobia, both of which were instrumental in garnering support for the War on Terror. Specifically, I examine the racial, religious, and morality politics of The Hurt Locker, Zero Dark Thirty, Argo, and American Sniper. Although my analysis primarily discusses these films within the context of twenty-first centur...

Aug52022 by cineverseNo Comments

Inglorious Basterds: A Satirical Criticism of WWII Cinema and the Myth of the American War Hero

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By Nadine Hussein This article explores the way in which Quentin Tarantino’s Inglorious Basterds challenges the myth of the American hero and criticizes the glorification of war cinema by satirizing the viewer directly. The particular focus is on the subtly with which Tarantino creates a network of parallels and analogical relations which dissolve the distinction between hero and villain. This article also argues that Tarantino effectively manipulates the audience into confronting the self-aggrandization of the American collective memory of WWII and exposes the ease at which the viewer is propagandized. Tarantino reveals the similarities between the spectator and the in-film Nazi audience by exposing the audiences enjoyment and acceptance of on-screen violence when depicted through the ...