Tuesday, February 17Daily News

Author: cineverse

Red One’ Review: Dwayne Johnson and Chris Evans in a Holiday Action Fantasy That Gives Christmas a Backstory It Didn’t Need

Red One’ Review: Dwayne Johnson and Chris Evans in a Holiday Action Fantasy That Gives Christmas a Backstory It Didn’t Need

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By Owen Gleiberman According To The variety Here’s the bad joke of Hollywood Christmas movies. They tend to begin, and end, with a blast of old-school Yuletide cheer. But that’s just a tease. In between, most of them make a point of straying about as far from the Christmas spirit as possible. Instead, they swap in the new American spirit: vulgar, violent, full of fake fun, celebrating their own crassness. To trace the genesis of the anti-Christmas Christmas movie (“Jingle All the Way,” “Violent Night”), you would probably have to go back to a couple of movies that are thought of as classics (though not by me): “A Christmas Story” and “Home Alone,” both of them glasses of eggnog spiked with misanthropy. That said, I’m not sure that a Hollywood movie has ever kicked off the season with...
Kyra Sedgwick and Kevin Bacon to Direct and Star in ‘Family Movie’ With Kids Travis and Sosie Bacon (EXCLUSIVE)

Kyra Sedgwick and Kevin Bacon to Direct and Star in ‘Family Movie’ With Kids Travis and Sosie Bacon (EXCLUSIVE)

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By Katcy Stephan, Alex Ritman According To The variety Kyra Sedgwick and Kevin Bacon are taking the title of their next film to heart. They’re set to direct the horror-comedy project “Family Movie” and star alongside their children, Travis and Sosie Bacon. The foursome will produce for Mixed Breed Films alongside Norman Golightly at Dark Castle Entertainment. Neon International will represent the foreign rights and introduce it at AFM this week while CAA Media Finance will represent the U.S. rights. The film, based on a screenplay by Dan Beers (“Premature”), follows an eclectic but tight-knit family of filmmakers who suddenly find themselves in a real-life horror movie when a body turns up on the set of their latest low-budget slasher. As the production spirals...
Why These Political Documentaries About the Insurrection and Abortion Rights Could Be Even More Relevant After Election Day

Why These Political Documentaries About the Insurrection and Abortion Rights Could Be Even More Relevant After Election Day

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By Addie Morfoot According To The variety his year, documentaries that tackle pressing political issues including immigration, abortion and the Jan. 6 insurrection were meant to make an impact on the 2024 presidential election between Vice President Kamala Harris and former President Donald Trump. While some, like Errol Morris’ immigration control documentary “Separated” and Matt Tyrnauer’s “Carville: Winning Is Everything, Stupid” both found distribution deals prior to Election Day with MSNBC and CNN respectively, there are many more docus that have been or will be self distributed that American voters on both sides would benefit from watching — even after the election. As both Democrats and Republicans gear up for potential unrest and protracted legal battles followi...
Hollywood Bets on Thanksgiving Rebound: Will ‘Wicked,’ ‘Gladiator II’ and ‘Moana 2’ Revive the Sluggish Fall Box Office?

Hollywood Bets on Thanksgiving Rebound: Will ‘Wicked,’ ‘Gladiator II’ and ‘Moana 2’ Revive the Sluggish Fall Box Office?

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By Rebecca Rubin According To The variety To paraphrase Wesley Snipes as Blade in this summer’s blockbuster “Deadpool & Wolverine”: There’s only one “Barbenheimer.” There’s only ever gonna be one “Barbenheimer.” Hollywood might never replicate the je ne sais quoi that prompted the explosion of “Barbie” and “Oppenheimer” double features, turning the box office battle between two very different films into a once-in-a-generation cinematic event. But multiplex owners are hoping that “Wicked” and “Gladiator II” achieve something close as the pink-and-green musical and the Colosseum-set action epic land in theaters on Nov. 22. “It won’t happen in the same way, but the conversation around ‘Wicked’ and ‘Gladiator’ is reminiscent of ‘Barbenheimer,’” says Shawn Robbins, Fandan...
The Penguin’ Star Clancy Brown on Salvatore Maroni’s Shocking Moment, Beating Up Colin Farrell and Torturing Oz: ‘He Was Going to Dismember and Burn Him’

The Penguin’ Star Clancy Brown on Salvatore Maroni’s Shocking Moment, Beating Up Colin Farrell and Torturing Oz: ‘He Was Going to Dismember and Burn Him’

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By Joe Otterson According To The variety SPOILER ALERT: This article contains spoilers for “The Penguin” Episode 7, “Top Hat” Things go off the rails in “The Penguin” Episode 7, with Oz’s drug operation that’s hidden in the abandoned trolley tunnels in jeopardy, along with his mother. But first… This week’s penultimate episode of HBO‘s DC series begins with a flashback of Oz and his brothers as children, the first time in the series we have seen his brothers alive. They live with Francis, their mother, in an apartment, with their mom making a living doing the books for Rex Calabrese, the local gangster Oz had spoken about so glowingly in Episode 1. Their mom sends them out one afternoon, where the kids run into Rex. He slips them $50 to give to their mom once they get h...
All We Imagine as Light,’ ‘Pooja, Sir’ to Bookend as India’s Dharamshala Film Festival Sets Robust Slate With Female Directors in Focus

All We Imagine as Light,’ ‘Pooja, Sir’ to Bookend as India’s Dharamshala Film Festival Sets Robust Slate With Female Directors in Focus

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By Naman Ramachandran According To The variety India’s Dharamshala International Film Festival (DIFF) has unveiled its lineup for its 13th edition, with female filmmakers helming more than half of the feature selections. The festival, running Nov. 7-10, will screen over 80 films from 28 countries. Opening the festival is Payal Kapadia‘s “All We Imagine as Light,” which nabbed the Grand Prix at Cannes and marked India’s first Palme d’Or competition entry in three decades. Deepak Rauniyar’s “Pooja, Sir,” fresh from its Venice premiere, will serve as the closing night feature. The international slate includes Venice titles “Separated” from Errol Morris and Pedro Almodóvar’s Golden Lion winner “The Room Next Door.” The festival secured Busan New Currents Award recipient...
HBO’s ‘Like Water for Chocolate’ Is a Sensual and Indulgent Reimagining of the Spanish-Language Classic: TV Review

HBO’s ‘Like Water for Chocolate’ Is a Sensual and Indulgent Reimagining of the Spanish-Language Classic: TV Review

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By Aramide Tinubu According To The variety Thirty-two years after the critically acclaimed film, HBO has adapted Laura Esquivel’s best-selling 1989 novel, “Like Water for Chocolate,” for television. Set in the early 20th century in Mexico, the six-episode Spanish-language series (critics received two for review) follows Tita (Azul Guaita), the youngest De La Garza daughter and her forbidden romance with her childhood sweetheart, Pedro Múzquiz (Andrés Baida). Tita and her older sisters, the rebellious Gertrudis (Andrea Chaparro) and the stoic Rosaura (Ana Valeria Becerril) are raised by their bitter and vengeful widowed mother, Elena (an intense Irene Azuela). The girls come of age and fall in love amid the Mexican Revolution and misogynistic family traditions. The exquisitely ...
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