Sunday, February 15Daily News

Author: cineverse

M. Night Shyamalan’s ‘Trap’ trailer lands

M. Night Shyamalan’s ‘Trap’ trailer lands

Technology
by Paul Heath Warner Brothers Pictures has released the trailer for the new M. Night Shyamalan movie Trap which is heading to cinemas this summer. The film revolves around a father and teen daughter who attend a pop concert, where they realise they’re at the center of a dark and sinister event. Written and directed by M. Night Shyamalan, Trap stars Josh Hartnett, Ariel Donoghue, Saleka Shyamalan, Hayley Mills and Allison Pill. This looks really good. Great to see Harnett back at the top of his game, too. Loved this guy ever since the ’90s and Robert Rodriguez’s The Faculty and I can’t wait to see this when it hits cinemas on 9th August. Here’s the trailer. https://youtu.be/Fin_5EdUoMk
Mahmoud Atshani’s Cinematic Odyssey Unveiled: A Masterclass In Visual Brilliance

Mahmoud Atshani’s Cinematic Odyssey Unveiled: A Masterclass In Visual Brilliance

LifeStyle
by Heather Grey In the dimly lit auditorium of the Houston Film Festival last night, a cinematic revelation unfolded before my eyes. “Loteria,” a collaborative masterpiece woven by the hands of visionaries from Iran, the United States, and Mexico, transcended the boundaries of storytelling. At the helm of this creative juggernaut was none other than Mahmoud Atshani, a virtuoso cinematographer whose name now resonates as an industry marvel.As the first frames of “Loteria” flickered across the screen, it was immediately evident that I was in the presence of a cinematic marvel. Atshani’s cinematography is not a mere lens capturing scenes; it’s a brush painting emotions on the canvas of storytelling. His visual language speaks in hues and tones that elevate the narrative to a symphony o...
Feinberg Forecast: Scott’s First Post-TIFF Look at the Oscar Race

Feinberg Forecast: Scott’s First Post-TIFF Look at the Oscar Race

News
THR's awards expert shares his assessments of 11 categories. BY SCOTT FEINBERG Best PictureFrontrunnersOppenheimer (Universal)Barbie (Warner Bros.)Poor Things (Searchlight)Killers of the Flower Moon (Apple/Paramount)American Fiction (Amazon/MGM)Past Lives (A24)The Holdovers (Focus)Maestro (Netflix)The Zone of Interest (A24)Nyad (Netflix) Major ThreatsAnatomy of a Fall (Neon)All of Us Strangers (Searchlight)Dream Scenario (A24)Origin (Neon)Spider-Man: Across the Spider-Verse (Sony)American Symphony (Netflix)Rustin (Netflix) PossibilitiesThe Taste of Things (IFC)Air (Amazon/MGM)May December (Netflix)Saltburn (Amazon/MGM)Dumb Money (Sony)Fair Play (Netflix) Can’t Yet CallThe Color Purple (Warner Bros.)Ferrari (Neon)The Iron Claw (A24)The Killer (Netflix)Napoleon (Apple/Sony)Pri...
‘Still Up’ Review: Apple TV+ Rom-Com Is a Lesson in Lack of Chemistry

‘Still Up’ Review: Apple TV+ Rom-Com Is a Lesson in Lack of Chemistry

LifeStyle
The series stars Antonia Thomas and Craig Roberts as two insomniacs who spend their evenings talking on the phone. BY ANGIE HAN There’s a point midway through When Harry Met Sally when the two leads, both unable to sleep, find themselves on the phone. The actual conversation isn’t about much of anything — past relationships, what’s on TV, the ending of Casablanca. But what comes through loud and clear is the connection between them, so easy and comfortable that any fool can see they’re meant to be together. Apple TV+’s Still Up is a whole series of When Harry Met Sally phone calls, placed between insomniac besties Lisa (Antonia Thomas) and Danny (Craig Roberts). Like their big-screen forebears, they fancy themselves “just mates”; like them, it’s evident to nearly everyone around t...
Listen — Indiana Jones’s last ride: A legacy to celebrate or bury?

Listen — Indiana Jones’s last ride: A legacy to celebrate or bury?

LifeStyle
‘Indiana Jones and the Dial of Destiny’ comes out in theatres on June 30. The fifth in a series over 42 years, many of its originating ideas are taken from 19th-century racist archaeology. Will this iteration be different? by Vinita Srivastava I love watching a good adventure movie, especially at the start of summer. I have some great memories of eating popcorn in the local suburban movie theatre while we watched aliens take over a spaceship or a group of kids hunt for long-lost treasure in an underground cave. At the same time, even as a kid, I remember thinking how awful some of the racial and gender stereotypes were. I specifically remember watching Indiana Jones and the Temple of Doom and cringing at the representations onscreen, especially, the ruthless and flat-dimensione...
‘Barbie’ Music Producer Mark Ronson Calls Out Bill Maher for Bashing Hit Film

‘Barbie’ Music Producer Mark Ronson Calls Out Bill Maher for Bashing Hit Film

LifeStyle, News
The Oscar-winning hitmaker took to social media to share his thoughts on Maher referring to Greta Gerwig's project as "preachy" and "man-hating." BY CHRISTY PIÑA Barbie music producer Mark Ronson isn’t here for Bill Maher’s take on Greta Gerwig’s billion-dollar hit. Ronson, who oversaw the Barbie soundtrack album and also co-produced and co-wrote several of the movie’s standout songs, including “I’m Just Ken,” took to social media on Tuesday to share his thoughts on the talk show host calling the movie “preachy, man-hating and a #ZombieLie.” “We come to this place for magic,” Ronson posted on X, imitating Nicole Kidman’s infamous ad. “We come to AMC theaters to laugh, to cry, to care…and to furiously google ‘mattel board configuration’ while others are trying to enjoy a f***kin...
The horrors of ‘Scream 6’ and ‘Evil Dead Rise’ reflect pandemic confinement and contagion in cities

The horrors of ‘Scream 6’ and ‘Evil Dead Rise’ reflect pandemic confinement and contagion in cities

LifeStyle, News
In ‘Scream 6,’ interior private spaces like apartments offer only the illusion of safety. by Chris Corker The pandemic changed our perception of space so that places we usually take for granted suddenly fell under heavy scrutiny. Seeing the world from six feet of enforced social distancing, restrictions, closures and hygiene protocols redefined our daily haunts. Horror is a genre of extrapolation in which potential danger becomes certain death; it feeds and gets fat on worst-case scenarios. As film commentators have noted, the pandemic is making its own mark on horror. Two recent high-profile horror movie releases in particular, Scream 6 and Evil Dead Rise, show filmmakers wrestling with space and what it means to share it. With people. With exterior forces trying to find a...
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