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By Clayton Davis According To The variety Guillermo del Toro doesn’t just direct monsters — he understands them. The Oscar-winning auteur behind “The Shape of Water” (2017) and “Pan’s Labyrinth” (2006) has built a career elevating genre cinema through stories of misunderstood outsiders. But with his long-awaited adaptation of “Frankenstein,” the Mexican filmmaker has returned to what he calls his creative origin — and maybe his most personal film yet. “To me, the point of origin was ‘Frankenstein,’” del Toro tells Variety. “This is not a monster movie. This is a story about what it means to be human.” Del Toro’s take on Mary Shelley’s 1818 novel isn’t horror in the conventional sense — it’s myth, metaphor and opera. After decades in development, “Frankenstein” finally pr...

By Brent Lang According To The varietyChanning Tatum, playing a robber with a serious case of arrested development, may have delivered the most mature performance of his career, at least if the thunderous standing ovation for “Roofman” at its Toronto Film Festival premiere is to be believed. The film tells the true story of Jeffrey Manchester, the so-called “Rooftop Robber,” who broke into dozens of McDonald’s restaurants, was sentenced to prison for 45 years, escaped, and hid in a Toys “R” Us, all while becoming romantically entwined with one of the store’s employees (Kirsten Dunst). Derek Cianfrance, best known for moody dramas like “Blue Valentine” and “I Know This Much is True,” saw Manchester’s incredible story as a chance to work in a different register. “I ju...