Sunday, February 15Daily News

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Industry Insiders May Face Tax Bills as California Reportedly Tightens Payroll Rules on Loan Out Corporations

Industry Insiders May Face Tax Bills as California Reportedly Tightens Payroll Rules on Loan Out Corporations

News
By Cynthia Littleton The state of California has warned entertainment industry payroll providers and others that it is implementing policy changes that could have significant tax and retirement planning implications for those in Hollywood’s creative community who use loan out corporations to manage their business affairs. The California Employment Development Department has reportedly alerted payroll service Cast & Crew, IATSE and others of the plan to tighten rules for the use of loan out corporations. Many creatives in the industry use such a business structure to manage different forms of payments that flow in from disparate employers throughout the year. That’s increasingly common in the modern era when actors, writers, producers and directors often work o...
Black and White Visuals in ‘Ripley,’ ‘Feud’ and ‘Sugar’ Create ‘Otherworldly’ Settings Perfect for Gritty Murders and Glitzy Balls

Black and White Visuals in ‘Ripley,’ ‘Feud’ and ‘Sugar’ Create ‘Otherworldly’ Settings Perfect for Gritty Murders and Glitzy Balls

News
By Hunter Ingram In Netflix’s “Ripley,” characters repeatedly call attention to the colors of the world around them. The blue hue of a painting; the purple paisley pattern of a robe. These vibrant details that might be passing remarks in any other show ring like a bell in “Ripley” simply because the show is shot entirely in black and white. Speaking these colors out loud intentionally acknowledges what’s missing from the frame: both the visual vibrancy and the moral character of its main character, author Patricia Highsmith’s legendary conman Tom Ripley (Andrew Scott). Black and white serves this narrative purpose well as Tom’s desire for the life of rich playboy Dickie Greenleaf (Johnny Flynn) becomes more twisted and violent — and that’s exactly what writer/director Steven Zaillian...
Third Annual International Brightlight Film Festival Competition Lineup Announcement

Third Annual International Brightlight Film Festival Competition Lineup Announcement

cinema, News
Reported by: Sarah Thompson Los Angeles, CA – The eagerly awaited list of films competing in the third annual International Brightlight Film Festival will be revealed on June 15, 2024. The announcement will take place during a press conference led by the festival director and will be streamed live on the Brightlight Film YouTube channel. The Brightlight Film Festival, a renowned independent festival held annually in Los Angeles, has garnered significant attention from filmmakers worldwide, particularly due to the high-profile participants in recent years. This year, the festival has received over 500 submissions, including feature films, short films, and animations from around the globe, all vying for a spot in the prestigious competition. Festival Director Bella Blake shared ...
‘Knives Out 3’ Title Revealed as ‘Wake Up Dead Man’; Rian Johnson Confirms 2025 Release

‘Knives Out 3’ Title Revealed as ‘Wake Up Dead Man’; Rian Johnson Confirms 2025 Release

News
By Ethan Shanfeld Benoit Blanc is back to solve another mystery in Rian Johnson‘s third “Knives Out” film, titled “Wake Up Dead Man.” Johnson announced the title, along with a 2025 release date, in a teaser posted to X Friday morning. “In the beginning, the knives came out. Then, behold, the glass was shattered. But my most dangerous case yet is about to be revealed,” narrates Daniel Craig in the 45-second video, referencing the first two titles of the murder mystery franchise, 2019’s “Knives Out” and 2022’s “Glass Onion.” “Wake Up Dead Man” will be distributed by Netflix as part of Johnson’s two-sequel deal with the streamer, worth $450 million. Despite the first film, distributed by Lionsgate, grossing $312 million at the global box office, Netflix put out “Glass On...
Morgan Spurlock, ‘Super Size Me’ Director, Dies at 53

Morgan Spurlock, ‘Super Size Me’ Director, Dies at 53

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By Addie Morfoot Morgan Spurlock, a documentary filmmaker who captured his own psychological and physical symptoms from eating McDonald’s every day for a month in the Oscar-nominated 2004 feature “Super Size Me,” died Thursday in upstate New York due to complications of cancer. He was 53. Spurlock’s family confirmed his death. “It was a sad day, as we said goodbye to my brother Morgan,” says Craig Spurlock, who worked with his brother on several projects. “Morgan gave so much through his art, ideas and generosity. Today the world has lost a true creative genius and a special man. I am so proud to have worked together with him.” Spurlock rose to prominence for “Super Size Me,” in which he conducted an experiment involving consuming only food from McDonald’s for a 30-day stretch....
Emily in Paris’ Season 5 Role Auctioned Off in Cannes, but Netflix Denies Renewal

Emily in Paris’ Season 5 Role Auctioned Off in Cannes, but Netflix Denies Renewal

News
By Joe Otterson “Emily in Paris” Season 5? Not so fast. During the amfAR Gala at the Cannes Film Festival, which raises money for research to end HIV and AIDS, Winnie Harlow and Paris Jackson appeared onstage to auction off a walk-on role in a previously unannounced fifth season of the Netflix series. The winner of the auction shelled out €250,000 to appear in the series as well as the chance to attend the Season 4 premiere in Los Angeles. Harlow and Jackson also said that Season 5 of the popular series is scheduled to begin shooting in mid 2025. However, an individual with knowledge of the situation says that Netflix has not in fact greenlit another season of “Emily in Paris.” According to the official amfAR auction website, the walk-on role came “Courtesy of Darre...
In pictures: Mongolian projects pitched in Cannes

In pictures: Mongolian projects pitched in Cannes

News
MONGOLIAN FILM COUNCIL Mongolia’s film industry is on the rise, with a momentum that began at Cannes in 2023. Zoljargal Purevdash’s If Only I Could Hibernate was the first Mongolian film to be shown in Cannes’ official selection when it played in Un Certain Regard last year, going on to win a jury prize at Tokyo FilmEx and scoring box-office success both at home and internationally. It was followed by Lkhagvadulam Purev-Ochir’s City Of Wind, the first feature from the Asian country to play Toronto and Venice. Both features followed the introduction of a film law in January 2022 to promote production in Mongolia, leading to the establishment of the Mongolian National Film Council (MNFC) and Mongolian Film Fund. International film productions can now receive up ...
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