Monday, February 16Daily News

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Squid Game 3’ Leads Netflix Korea 2025 Slate

Squid Game 3’ Leads Netflix Korea 2025 Slate

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By Naman Ramachandran According To The variety Netflix has unveiled an ambitious 2025 Korean content lineup anchored by “Squid Game 3,” which expands its universe with a roster including Yim Si-wan, Kang Ha-neul and Park Gyu-young joining returning stars Lee Jung-jae and Lee Byung-hun. The series, premiering June 27, delves deeper into Gi-hun’s choices amid overwhelming despair while exploring the Front Man’s next moves. The streamer kicked off 2025 with romance “When The Stars Gossip,” starring Lee Min-ho as a space tourist who falls for Korean-American astronaut Kong Hyo Jin. Dating reality show “Single’s Inferno” returned for its milestone fourth season, followed by medical drama “The Trauma Code: Heroes on Call,” featuring Ju Ji-hoon as a genius trauma surgeon rebuilding ...
Lively-Baldoni Hearing: Judge Threatens to Move Up Trial but Doesn’t Rein in Bryan Freedman’s PR Wa

Lively-Baldoni Hearing: Judge Threatens to Move Up Trial but Doesn’t Rein in Bryan Freedman’s PR Wa

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By Gene Maddaus, Michaela Zee According To The variety A judge on Monday declined to impose restrictions on what Justin Baldoni‘s attorney can say about his legal fight with Blake Lively, but warned he may move up the March 2026 trial date if the press battle continues. Judge Lewis J. Liman presided over the first hearing in the sprawling litigation between the two “It Ends With Us” co-stars in federal court in New York. Neither of them appeared in the courtroom. Lively is accusing Baldoni and others of smearing her in the press after she complained about sexual harassment on set. Baldoni fired back with defamation lawsuits against her, her husband Ryan Reynolds, and the New York Times, while his attorney Bryan Freedman has waged an aggressive PR campaign to push back ag...
Karla Sofía Gascón’s Off-the-Rails Reaction to Twitter Controversy Has Made Her the Donald Trump of Oscar Season

Karla Sofía Gascón’s Off-the-Rails Reaction to Twitter Controversy Has Made Her the Donald Trump of Oscar Season

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By Daniel D'Addario According To The variety Up until last week, “Emilia Pérez” looked like a narrow Oscar frontrunner, in part because of its political resonances. Sure, the character of Emilia — played by Karla Sofía Gascón — did not become a better person after transitioning (in fact, her cruelty drives the action of the film up until the final scene). But a viewer in a generous frame of mind can see in the mere fact of Emilia’s transition, and the project she puts her cartel-obtained resources toward afterward — on top of Gascón’s presence as a pathbreaking trans Oscar nominee — as a rebuke to the politics of prejudice emanating from President Donald Trump.  After last week’s excavation of years’ worth of bigoted tweets from Gascón, it’s uncertain how many viewer...
Dead Lover’ Review: Macabre Attempt to Keep a Lost Romance Alive Is Both Entertaining and Inventive

Dead Lover’ Review: Macabre Attempt to Keep a Lost Romance Alive Is Both Entertaining and Inventive

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By Murtada Elfadl According To The variety When a film starts with a quote from Mary Shelley, it’s tempting to predict exactly where the story might be going. Sure enough, “Dead Lover” features the resurrection of a dead creature, and yet, writer-director Grace Glowicki keeps surprising the audience and gives much more than they expected. The characters she creates and the situations she puts them in are bizarrely funny. The visual ingenuity in costumes, art direction and makeup proves “Dead Lover” a singular and strange vision. Premiering in Sundance’s Midnight section before going on to play Rotterdam and other festivals, the unique film should garner a small but fervent audience.Glowicki’s peculiar tale starts with the introduction of its main character, whom the filmmaker plays hers...
M3GAN 2.0’ Teaser Has the Killer Doll Dancing to Chappell Roan’s ‘Femininomenon’ and Proclaiming: ‘The B—- Is Back

M3GAN 2.0’ Teaser Has the Killer Doll Dancing to Chappell Roan’s ‘Femininomenon’ and Proclaiming: ‘The B—- Is Back

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By Jordan Moreau According To The variety M3GAN is back for more AI doll horror. Blumhouse has revealed the first look at “M3GAN 2.0,” the sequel to the surprise horror hit from 2023 that introduced the world to the dancing, murdering robot M3GAN. In the short teaser that debuted during the the stage during the award show to perform “Pink Pony Club.” The first “M3GAN,” which stands for Model 3 Generative Android, follows a Grammys, the killer doll showed off some new dance moves while dancing to Chappell Roan‘s “Femininomenon.” The spot premiered shortly after Roan took young girl named Cady (Violet McGraw), who loses her parents in a car the ultimate companion for kids. Unsurprisingly, the AI robot turns dangerous and kills anything that she deems a threat to Cady. Gemma and Cady de...
Magic Farm’ Review: Acerbic Comedy About Culture Clash Follows Clueless Americans in Small-town Argentina

Magic Farm’ Review: Acerbic Comedy About Culture Clash Follows Clueless Americans in Small-town Argentina

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By Carlos Aguilar According To The variety Cumbia music is the one grounding constant in Argentine-born Spanish filmmaker Amalia Ulman’s sophomore effort “Magic Farm,” a formally radical, biting satire about odious, privileged Americans adrift in a remote Argentine rural town. The group of foreigners works for a Vice-type media company dedicated to exploiting offbeat stories from around the world for sensationalist video content. The latest target for their culture-mining operation is Super Carlitos, a whimsical singer known for wearing bunny ears, residing in the town of San Cristobal. Unbeknown to useless producer Jeff (Alex Wolff of “Hereditary” fame), a place with that name could be anywhere in Latin America. With the same uncomfortably dry sense of humor she exhibited in her deb...
Kiss of the Spider Woman’ Review: Jennifer Lopez Provides Welcome Escape From Grim World of Argentine Prisoners

Kiss of the Spider Woman’ Review: Jennifer Lopez Provides Welcome Escape From Grim World of Argentine Prisoners

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By Peter Debruge     According To The variety Boundaries are constantly blurring in “Kiss of the Spider Woman,” the revolutionary mid-’80s film that became a Kander and Ebb musical, and that cunningly (and stunningly) morphs back to the big screen, courtesy of “Dreamgirls” director Bill Condon. Confined mostly to an Argentine detention facility in 1983, at the height of the country’s Dirty War, the show is the flip side of Andrew Lloyd Webber’s “Evita,” focusing on the brutal military regime that followed Eva Péron’s ouster. Bleak as that may sound, the musical finds rare shards of light — and an unlikely connection — in the most despairing of places. In every incarnation of Manuel Puig’s novel, cinema offers much-needed escapism from not only political injustice, but also the k...
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nginx/1.24.0 (Ubuntu)