Sunday, February 15Daily News

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Jeremy Allen White Is the Boss in First Look at Bruce Springsteen Biopic ‘Deliver Me From Nowhere

Jeremy Allen White Is the Boss in First Look at Bruce Springsteen Biopic ‘Deliver Me From Nowhere

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By Ellise Shafer According To The variety The first look at “The Bear” star Jeremy Allen White as Bruce Springsteen in biopic “Deliver Me From Nowhere” has been revealed as production gets underway. Directed and written by Scott Cooper (“Crazy Heart,” “Hostiles”), “Deliver Me From Nowhere” adapts Warren Zanes’ book of the same name about the making of Springsteen’s 1982 album “Nebraska.” Filming is taking place primarily in Springsteen’s native New Jersey and New York, with additional production in Los Angeles, and the movie is set to hit theaters next year. According to a press release, Springsteen’s recording of “Nebraska” “marked a pivotal time in his life, one that he would only openly talk about decades after its release. It’s regarded as a landmark in his...
China Box Office: ‘Venom: The Last Dance’ Enjoys Hollywood’s Second-Best Launch of the Year

China Box Office: ‘Venom: The Last Dance’ Enjoys Hollywood’s Second-Best Launch of the Year

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By Patrick Frater According To The variety “Venom: The Last Dance” delivered on its pre-release buzz in mainland China with an opening weekend that was the second biggest this year by a Hollywood movie. The third film in the “Venom” trilogy earned RMB221 million ($31.1 million) in the conventional Friday-Sunday definition of the weekend in China, according to consultancy firm Artisan Gateway. But “Venom: The Last Dance” actually enjoyed an out of synch Wednesday opening and finished Sunday evening with a $45.9 million five-day cumulative. Local data providers show that the film topped the box office charts on each of the five days it was on release, with Saturday by far the highest. On that day it played some 150,000 screening sessions and collected a fraction ...
Tokyo Film Festival Chief Ando Hirayasu Emphasizes International Dialog, Women’s Empowerment

Tokyo Film Festival Chief Ando Hirayasu Emphasizes International Dialog, Women’s Empowerment

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By Naman Ramachandran                According To The variety The 37th Tokyo International Film Festival (TIFF) is doubling down on global networking and gender equality initiatives, according to festival chair Ando Hirayasu. “During the COVID-19 pandemic, various restrictions made this difficult, but we are finally able to engage in genuine networking,” Ando told Variety. The festival has relocated its TIFF Lounge, a hub for international exchange, to the more centrally located Lexus Meets venue to facilitate better interaction between Japanese and international filmmakers. Among this year’s notable additions is a new Women’s Empowerment section. The initiative follows TIFF becoming the first Asian film festival to sign the Collectif 50/50 charter in 2021...
Clint Eastwood Skips ‘Juror No. 2’ Premiere as Toni Collette and Nicholas Hoult Launch His Latest

Clint Eastwood Skips ‘Juror No. 2’ Premiere as Toni Collette and Nicholas Hoult Launch His Latest

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By Matt Donnelly According To The variety Clint Eastwood didn’t turn up for “Jury” duty in Los Angeles on Sunday, but that didn’t stop his lead actors and a few hundred moviegoers from sending him well wishes.  The 94-year-old screen legend’s latest film, “Juror No. 2,” served as the closing night gala screening for this year’s AFI Fest. At the top of the program held at the historic TCL Chinese Theaters, AFI president Bob Gazzale informed disappointed fans that Eastwood “could not be here with us tonight, but we are here for him.”  After noting his dozens of film credits – including the “Dirty Harry” franchise and directorial efforts like “Richard Jewell” and “Play Misty for Me” –  Gazzale introduced “Juror No. 2” stars Toni Collette and Nicholas Hou...
Animated Features Like ‘Transformers One’ and ’Wild Robot’ and More Rely on Artists for the Magic as Machine Learning or AI Works in Support

Animated Features Like ‘Transformers One’ and ’Wild Robot’ and More Rely on Artists for the Magic as Machine Learning or AI Works in Support

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By Karen Idelson According To The variety As technological advances make even more astonishing imagery possible for many of the leading contenders in the animated feature Oscar race, they’re still leaning toward the skilled hands of the artisans who’ve mastered their craft and away from AI or machine learning.                              While some may use machine learning — a type of AI — in the early stages of motion capture or to iterate ideas, the knowledge of experienced VFX artists and the performance capabilities of animators are central to creating the unique imagery sought by the filmmakers behind these movies. Some films, like “Lord of...
The Brink of Dreams’ Directors Receive Variety MENA Talent of the Year Award

The Brink of Dreams’ Directors Receive Variety MENA Talent of the Year Award

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By Rafa Sales Ross            According To The variety Nada Riyadh and Ayman El Amir, whose latest documentary “The Brink of Dreams” became the first Egyptian film to win the Golden Eye Award for best documentary at Cannes earlier this year, have received the Variety Middle East and North Africa Talent of the Year Award. The ceremony was held at the El Gouna Film Festival, where their film is also playing as part of the Feature Narrative Competition. “The Brink of Dreams” is a moving coming-of-age story following the Panorama Barsha Troupe, an all-female theater group in a remote village in southern Egypt who take to the streets to act out their plays denouncing underage marriage, domestic violence and patriarchy in a deeply conservative society. “It’s wonderful to ...
Here’ Review: Robert Zemeckis Turns Back the Clock on Tom Hanks and Robin Wright, and It Ain’t Pretty

Here’ Review: Robert Zemeckis Turns Back the Clock on Tom Hanks and Robin Wright, and It Ain’t Pretty

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By Peter Debruge According To The variety In Hollywood, most movies tell stories. But not “Here.” Adapted from a conceptual graphic novel by Richard McGuire where the perspective is the same on every page — the living room of a century-old American house — while rectangle-shaped panels within each frame reveal actions from different years, if not entirely separate epochs, “Here” is about an idea. Have you ever sat in a place — maybe a hotel room, a park bench or a remote clearing — and wondered what happened there before? How many people have kissed on that exact spot? Or fought, or fallen in love? And what does that say about human experience, that people can be linked by common actions, and places can hold both memories and secrets? There are deep thoughts to be found down su...
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