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The Wild Robot’ Review: It’s No ‘Iron Giant,’ Though DreamWorks’ Tale of a Wayward Droid Is a Keeper

The Wild Robot’ Review: It’s No ‘Iron Giant,’ Though DreamWorks’ Tale of a Wayward Droid Is a Keeper

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By Peter Debruge According To The variety A gorgeous computer-generated cartoon with a human heart beating beneath its sleek, state-of-the-art surface, DreamWorks Animation’s “The Wild Robot” arrives at a time when the public seems more concerned than ever about being outsmarted by artificial intelligence. It’s somewhat ironic then that the movie, a lovely chosen-family fable adapted from the first book in Peter Brown’s open-ended series, features no human characters of consequence. Instead, “The Wild Robot” concerns an overzealous automaton named ROZZUM 7134 (or simply “Roz” for short), whose personality comes partly from Lupita Nyong’o and the rest from the artists at DWA. Together with “How to Train Your Dragon” co-director Chris Sanders, they imbue this bot — basically,...
Eden’ Review: Ron Howard’s Historical ‘Thriller’ Strands Us On an Island with Characters Who Grow More Dislikable by the Minute

Eden’ Review: Ron Howard’s Historical ‘Thriller’ Strands Us On an Island with Characters Who Grow More Dislikable by the Minute

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By Owen Gleiberman According To The variety Ron Howard has always taken pride in being an eclectic filmmaker — in the last 40 years, he has made movies about mermaids, cocoons, auto factories, astronauts, firefighters, newspapers, beautiful minds, cave rescuers, the Grinch, the Da Vinci Code, the Beatles, and Pavarotti. But at the Toronto Film Festival premiere of his latest movie, “Eden,” he declared that the film stands farther apart from his other work than anything he has ever done. He’s right, though not for the reason he thinks. “Eden,” which is based on events that unfolded 100 years ago on one of the Galápagós Islands, is a difficult movie to characterize. It’s been labeled as a “thriller,” but I would describe it as a misanthropic survivalist “Robinson Crusoe” meets “Wh...
Nightbitch’ Review: Amy Adams Ferociously Resists the Changes Imposed by Parenthood in Didactic but Welcome Ode to Moms

Nightbitch’ Review: Amy Adams Ferociously Resists the Changes Imposed by Parenthood in Didactic but Welcome Ode to Moms

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By Peter Debruge According To The variety It’s been more than half a century since Helen Reddy sang, “I am woman, hear me roar!” but the line remains as good a mantra as any for Amy Adams’ ferocious lead performance in Marielle Heller’s tamer-than-expected “Nightbitch.” Identified only as “Mother” in the credits, Adams plays a woman who gave up her career to raise her son, but is only now, four years in to stay-at-home motherhood, realizing just how much the experience has changed her. “Transformed” might actually be a better word, since her primeval awakening gives off serious werewolf-movie vibes. This mother believes she might be turning into a dog. Novelist Rachel Yoder opens “Nightbitch” with the words “for my mom & for all the moms.” To some, that might sound like...
Kevin Costner Says Scrapped ‘Horizon 2’ Theatrical Release Was ‘Probably a Reaction’ to First Film’s Box Office Performance: ‘It Didn’t Have Overwhelming Success’

Kevin Costner Says Scrapped ‘Horizon 2’ Theatrical Release Was ‘Probably a Reaction’ to First Film’s Box Office Performance: ‘It Didn’t Have Overwhelming Success’

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By Ellise Shafer According To The variety Kevin Costner spoke on the scrapped theatrical release of his second “Horizon” film on Saturday during its Venice Film Festival press conference, saying that “it probably was a reaction” to the underperformance of the first movie at the box office. “It didn’t have overwhelming success,” Costner said of the first film. “I’ve had a lot of movies that way, that have stood the test of time.” He added that it was a “studio decision” to release “Chapter Two” six weeks after “Chapter One,” and “it became a studio decision to not.” However, Costner asserted that it all worked out for the best because he got to screen “Horizon 2” at Venice. “For me, it fell back into my plan, which was I always wanted to come out with movies about...
Orlando Bloom Spoke to Director Andy Serkis About New ‘Lord of the Rings’ Movies and Wants to Return: If Peter Jackson ‘Says Jump, I Say How High’

Orlando Bloom Spoke to Director Andy Serkis About New ‘Lord of the Rings’ Movies and Wants to Return: If Peter Jackson ‘Says Jump, I Say How High’

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By Ethan Shanfeld According To The variety A few days after Ian McKellen expressed interest in returning as Gandalf in Peter Jackson’s new live-action “Lord of the Rings” movies, his co-star Orlando Bloom is adding his name to the list. When asked by Variety if he was interested in returning to the Tolkien franchise, the Legolas actor said, “Oh, man, those things are amazing. Yeah. I don’t know how they’d do it. I guess with AI you can do anything these days. But, if Pete [Peter Jackson] says jump, I say, ‘how high?’ I mean, he started my whole career.” The new Middle-earth movies will kick off in 2026 with “Lord of the Rings: The Hunt for Gollum,” directed by Andy Serkis, who will reprise his role of Gollum/Sméagol. Original franchise director Jackson is on bo...
Andrew Garfield and Florence Pugh Bring Steamy Sex, Sobs and Wild Birthing Scene to TIFF With ‘We Live in Time’

Andrew Garfield and Florence Pugh Bring Steamy Sex, Sobs and Wild Birthing Scene to TIFF With ‘We Live in Time’

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By Tatiana Siegel According To The variety Like a football player emerging from the huddle, Florence Pugh squatted and grunted as she reenacted a dramatic scene from “We Live in Time” after the film made its splashy debut on Day 2 of the Toronto International Film Festival. During a post-screening Q&A with co-star Andrew Garfield and director John Crowley, Pugh described the making of a wild scene from the tear-jerker cancer drama in which she gives birth in a dingy gas station bathroom while Garfield and two strangers looked on. “It was amazing. I mean, you saw like seven minutes of it. We did 15-minute births like eight times. It was insane,” she told the sniffling audience. “The only problem was, I didn’t have a baby that came out, so I was just so exhauste...
Elton John Cries as Intimate Documentary Looking Back on His Life Premieres at TIFF: ‘On My Tombstone, I Want It to Say He Was a Great Dad’

Elton John Cries as Intimate Documentary Looking Back on His Life Premieres at TIFF: ‘On My Tombstone, I Want It to Say He Was a Great Dad’

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By Rebecca Rubin, Ethan Shanfeld According To The variety “I have one question… who is wearing sequins?” It’s a fair query for Cameron Bailey, Toronto International Film Festival’s CEO, to ask at Friday night’s world premiere of “Elton John: Never Too Late,” a revealing look at the generation-spanning musical (and fashion) icon. Although he’s one of the best-selling artists of all time, a tearful John told the crowd at Roy Thomson Hall that family is more important to him than fame. “On my tombstone, I don’t want it to say he sold a million records. I want it to say he was a great dad and great husband.” “Never Too Late” captures John’s journey to becoming one of the world’s biggest rock stars, bookended by his landmark performances at Dodger Stadium in Los Angeles in 1975 to m...
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