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Cancer-Surviving Cricket Star Yuvraj Singh Biopic Set at India’s T-Series (EXCLUSIVE)

Cancer-Surviving Cricket Star Yuvraj Singh Biopic Set at India’s T-Series (EXCLUSIVE)

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By Naman Ramachandran According To The variety Cricket sensation Yuvraj Singh‘s remarkable journey from prodigy to World Cup hero to cancer survivor is getting the biopic movie treatment. Prolific Indian studio T-Series head Bhushan Kumar has revealed a film chronicling the life and career of the Indian cricketing icon, which captures Singh’s triumphs both on and off the field. Kumar, known for backing high-profile projects like “Animal,” “Drishyam 2,” “Kabir Singh” and “Tanhaji: The Unsung Warrior,” is joining forces with producer Ravi Bhagchandka to bring Singh’s story to life. Bhagchandka will co-produce via 200 Not Out Cinema. The biopic marks the second time Bhagchandka has brought a cricketer’s life to the big screen, following the 2017 Sachin Tendulkar docu...
Blink Twice’ Review: Zoë Kravitz Proves She’s a Total Filmmaker In a #MeToo-Meets-‘Midsommar’ Thriller Starring a Sinister Channing Tatum

Blink Twice’ Review: Zoë Kravitz Proves She’s a Total Filmmaker In a #MeToo-Meets-‘Midsommar’ Thriller Starring a Sinister Channing Tatum

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By Owen Gleiberman According To The variety Blink Twice” opens with a blurry close-up shot of a frog, which then comes into glistening focus. The sound is eerie; the image is sinister, fascinating, mysterious and trippy. That describes the movie as well. “Blink Twice” is the first feature directed by Zoë Kravitz, who also co-wrote it (with E.T. Feigenbaum), and it’s a post-#MeToo feminist party-girl nightmare thriller that’s been made with an unusual sense of intimacy. Kravitz, the veteran actor (“The Batman,” “Kimi,” “Big Little Lies”), doesn’t rely on the standard medium shot/POV pedestrian film grammar. She composes the movie out of vibrant close-ups, using each shot (a cocktail, a glance, a social-media cutaway) to tell a story, drawing us into the center of an encounter, so th...
Julia Ormond Can Sue Disney and CAA for Failing to Protect Her From Harvey Weinstein

Julia Ormond Can Sue Disney and CAA for Failing to Protect Her From Harvey Weinstein

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By Gene Maddaus According To The variety A judge on Monday allowed Julia Ormond to proceed with allegations that Disney and CAA failed to protect her from Harvey Weinstein in the mid-90s. Suzanne J. Adams, a state court justice in Manhattan, denied the companies’ motions to dismiss the lawsuit, which claims that the entertainment conglomerate and the agency enabled Weinstein’s predatory behavior because he “made them too much money.” Ormond sued the companies last October, alleging that Weinstein sexually assaulted her in New York in December 1995. CAA represented Ormond the the time, and had negotiated a deal for her at Weinstein’s company, Miramax, which was owned by Disney. Miramax was also named as a defendant. The British actress rose to stard...
High-Stakes Netflix Drama ‘IC 814: The Kandahar Hijack’ From Anubhav Sinha Unveils Trailer (EXCLUSIVE)

High-Stakes Netflix Drama ‘IC 814: The Kandahar Hijack’ From Anubhav Sinha Unveils Trailer (EXCLUSIVE)

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By Naman Ramachandran According To The variety Netflix India has unveiled the first trailer for its upcoming series “IC 814: The Kandahar Hijack.” The titular hijack occurred in December 1999 when an Indian Airlines flight was commandeered by militants en route from Kathmandu to New Delhi. The flight made multiple landings including at Amritsar, India, Lahore, Pakistan, Dubai and Kandahar, Afghanistan. The crisis lasted seven days. The drama, adapted from the book “Flight Into Fear” by Captain Devi Sharan and Srinjoy Chowdhury, explores the crisis from multiple angles, and offers a multifaceted look at the incident, showcasing the tense negotiations in Delhi’s War Room, the high-stakes diplomacy at Taliban-controlled Kandahar, and the terrifying ordeal faced by passengers and...
Alien: Romulus’ Ends ‘Deadpool & Wolverine’s’ Three-Week Box Office Reign With $41.5 Million Debut

Alien: Romulus’ Ends ‘Deadpool & Wolverine’s’ Three-Week Box Office Reign With $41.5 Million Debut

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By Rebecca Rubin According To The variety “Alien: Romulus” ripped into the domestic box office with $41.5 million, marking the second-highest start in the long-running “Alien” franchise. Those ticket sales were enough for the newest chapter in Disney and 20th Century’s sci-fi horror saga to end the three-week reign of “Deadpool & Wolverine,” which just overtook “Joker” as the highest-grossing R-rated movie in history with $1.14 billion. These achievements are capping off Disney’s stellar summer streak, which ignited with “Kingdom of the Planet of the Apes” (May’s highest grossing movie with $397 million) and continued through “Inside Out 2” (June’s highest grossing movie with $1.597 billion) and “Deadpool & Wolverine” (July’s highest grossing movie with $1.14 billio...
Will The People Who Say They Love Cinema the Most Come Back to the Movies?

Will The People Who Say They Love Cinema the Most Come Back to the Movies?

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By Owen Gleiberman According To The variety The summer movie season is now all but over, the tea leaves are in, and everyone in the industry is working hard to read them. Sizing up the future of movies, should we be hopeful? Fearful? Somewhere in between? To recap the signs: There were many big hits this summer (“Deadpool & Wolverine,” “Inside Out 2,” “Despicable Me 4,” “Twisters,” “Bad Boys: Ride or Die,” “Kingdom of the Planet of the Apes,” “A Quiet Place: Day One”), and that’s reason to celebrate. News flash: People still like to go to the movies! But…the total box-office receipts lagged behind those of 2023, so there’s reason to be wary. But…the impact of the strike still registered this summer in a profound way, since there wasn’t enough product to satisfy demand. Th...
Lithuanian Teen Drama ‘Toxic’ Wins Big at Locarno Film Festival

Lithuanian Teen Drama ‘Toxic’ Wins Big at Locarno Film Festival

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By Guy Lodge According To The variety Lithuanian cinema, not typically that well represented on the international film festival circuit, was the big story of this year’s Locarno Film Festival awards ceremony, with two films from the Baltic nation taking a number of top prizes between them. “Toxic,” an auspicious debut from writer-director Saulė Bliuvaitė, won not only the Golden Leopard for Best Film in the fest’s premier International Competition — from a jury chaired by Austrian auteur Jessica Hausner — but also, in an unusual double, the top prize in the separately juried First Feature Competition. Bliuvaitė’s compatriot Laurynas Bareiša, meanwhile, won Best Director in the International Competition for his sophomore feature “Drowning Dry,” while the same film’...
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