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Box Office: ‘It Ends With Us’ Scores $50 Million Opening Weekend, ‘Borderlands’ Flops With $8.8 Million

Box Office: ‘It Ends With Us’ Scores $50 Million Opening Weekend, ‘Borderlands’ Flops With $8.8 Million

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By Rebecca Rubin According To The variety Colleen Hoover’s literary sensation “It Ends With Us” is now a box office smash. A film adaptation of her 2016 novel, starring Blake Lively and Justin Baldoni (who also directed), has collected a stellar $50 million from 3,611 North American venues in its opening weekend. “It Ends With Us” took in $30 million internationally for an $80 million global start. It’s a huge win for the movie, which Sony Pictures and Baldoni’s Wayfarer Studios co-financed for $25 million. “It Ends With Us” tells the story of Lily Bloom (Lively), a small business owner who gets caught in a love triangle between a charming but abusive neurosurgeon, Ryle (Baldoni), and her first boyfriend, Atlas (Brandon Sklenar). Critics were mixed but audiences have responded e...
How ‘Good One’ Director India Donaldson Crafted the Film’s Devastating Twist

How ‘Good One’ Director India Donaldson Crafted the Film’s Devastating Twist

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By Ethan Shanfeld According To The variety)  SPOILER ALERT: This interview contains spoilers for “Good One,” in theaters now. From first-time feature director India Donaldson, “Good One” is a breezy dramedy about three people on a backpacking trip. Until, suddenly, it isn’t. Lily Collias, in her second feature role, plays the 17-year-old Sam, who goes camping with her dad, Chris (James Le Gros), and his bumbling friend Matt (Danny McCarthy). After her dad goes to bed, Sam has a heart-to-heart with Matt, who is going through a divorce, in a 13-minute campfire scene that culminates with Matt suggesting that Sam come into his tent to keep him warm It’s a disturbing and crafty twist an hour into the film, a moment of profound betrayal that paints a quietly world-shat...
Box Office: ‘It Ends With Us’ Begins With Impressive $24 Million Opening Day, ‘Deadpool’ Holds Strong as ‘Borderlands’ Crumbles

Box Office: ‘It Ends With Us’ Begins With Impressive $24 Million Opening Day, ‘Deadpool’ Holds Strong as ‘Borderlands’ Crumbles

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By J. Kim Murphy According To The variety)  The August box office is looking Lively with Sony’s drama “It Ends With Us” scoring a spectacular opening day of $24 million from 3,611 locations across Friday and preview screenings. The adaptation of Colleen Hoover’s 2016 bestselling novel is now looking at even higher projections north of $45 million across the three-day frame — a fantastic start for a drama with a mere $25 million production budget, well below the spend of the typical studio summer tentpole. The popularity of Hoover’s novel on TikTok and marketing’s slant toward female audiences led many analysts to believe that “It Ends With Us” could come in well above earlier tracking. The film now seems primed for a second place opening through the weekend, coming in close to t...
Frozen 3’ Gets Icy First Look, Coming in 2027

Frozen 3’ Gets Icy First Look, Coming in 2027

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By Carolyn Giardina, Jordan Moreau According To The variety)  It’s almost time to build a snowman…for the third time. Disney’s “Frozen 3” is set for a 2027 release and aim to answer unanswered questions. Disney’s chief creative officer Jennifer Lee concluded the Disney Animation announcements, unveiling visual development art from musical “Frozen 3.” Created by Britney Lee, it shows Elsa on a white horse and Anna on a brown stag. Lee wrote and co-directed with Chris Buck the best animated feature Oscar winner “Frozen,” as well as “Frozen II,” which were set around the fictional kingdom of Arendelle and featured a voice cast led by Kristen Bell as Anna, Idina Menzel as Elsa, Jonathan Groff as Kristoff and Josh Gad as the sentient snowman Olaf. The first “Frozen” movie de...
Incredibles 3’ in Development With Brad Bird at Pixar

Incredibles 3’ in Development With Brad Bird at Pixar

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By Adam B. Vary According To The variety)  Pixar‘s superhero family is suiting up again. “Incredibles 3” is in development at Pixar Animation Studios, with writer-director Brad Bird — who helmed 2004’s “The Incredibles” and 2018’s “Incredibles 2” — returning for the threequel. Pixar chief Pete Docter made the announcement on Friday during Disney’s epic presentation of its upcoming projects at the D23 Expo. Docter provided no further information about the project, but the announcement of a new “Incredibles” movie comes on the heels of the wild success of “Inside Out 2,” which recently passed “Incredibles 2” as Pixar’s highest grossing film ever (and Disney Animation’s “Frozen II” as the highest grossing animated film of all time). No release date has been set fo...
Snow White’ Live-Action Trailer: Rachel Zegler Faces Off Against Gal Gadot’s Evil Queen and Meets the Seven Dwarfs

Snow White’ Live-Action Trailer: Rachel Zegler Faces Off Against Gal Gadot’s Evil Queen and Meets the Seven Dwarfs

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By Valerie Wu, Meredith Woerner According To The variety)  Live-action remake “Snow White and the Seven Dwarfs” has released a trailer. The new Snow White, Rachel Zegler and the new Evil Queen (Gal Gadot) were both on hand at D23 to address the crowd. “Its been the honor of a lifetime,” Zegler said of taking on the princess role. “I think any young person, any little girl if you get to put on a Disney princess dress and be her for a day let alone six months… it’s just been the most amazing experience and I cant wait to share it with you all.” “It was a lot of fun to get to do something that is completely different than anything I’ve ever done before,” Gadot said on playing the iconic Evil Queen. “She’s delicious, she’s evil, she’s magical. We got to sing all these different s...
I Survived a Marathon of Zack Snyder’s Unrated ‘Rebel Moon’ — But Still Can’t Tell You Why It Exists

I Survived a Marathon of Zack Snyder’s Unrated ‘Rebel Moon’ — But Still Can’t Tell You Why It Exists

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By Peter Debruge According To The variety)  I’ve never seen a line for the men’s room at the American Cinématheque as long as the one that confronted me at intermission of the marathon screening of Zack Snyder’s “Rebel Moon” this weekend. (Keep in mind, by that point, the crowd had been holding its collective bladder for three and a half hours, with the second half still to come.) Meanwhile, there were so few women in attendance that the ladies’ room had practically no wait at all — a phenomenon that said everything about the crowd that had turned out for a big-screen look at the 373-minute director’s cut of Snyder’s two-part space opera. To call this roided-out macro-edition of “Rebel Moon” a “director’s cut” is to willingly buy into Netflix’s egregious misrepresentation o...
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