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Theater expresses ‘regret’ for Richard Dreyfuss’ remarks at ‘Jaws’ event

Theater expresses ‘regret’ for Richard Dreyfuss’ remarks at ‘Jaws’ event

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By Dennis Romero A Massachusetts theater expressed "regret" for actor Richard Dreyfuss' remarks during a start-of-summer screening of the movie "Jaws," the venue said Monday. Dreyfuss appeared for a Q&A at the Cabot Theater in Beverly on Saturday as part of a screening of the 1975 blockbuster directed by Steven Spielberg. Witnesses on social media said he addressed topics from Barbra Streisand to transgender people to women, using words that Cabot Executive Director J. Casey Soward said in a statement Monday “do not reflect the values of inclusivity and respect that we uphold as an organization.” Video verified by NBC News shows Dreyfuss appearing onstage in a breakaway dress that is removed by stagehands to reveal him in slacks, a dress shirt and a jacket and using a cane....
How ‘Interview With the Vampire’ Used Sacreligious Statues, Projection Animation to Create the Théâtre des Vampires

How ‘Interview With the Vampire’ Used Sacreligious Statues, Projection Animation to Create the Théâtre des Vampires

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By Hunter Ingram The new season of “Interview With the Vampire” offers plenty of immortal pleasures for the patient fans of AMC’s Anne Rice adaptation. But for production designer Mara LaPere-Schloop, Season 2 also fulfilled the artistic promise that first attracted her to the project — the Théâtre des Vampires. “Living in New Orleans, it was really an exciting exercise to think about how we could tell that story and showcase the city in Season 1,” LaPere-Schloop tells Variety. “But more than anything, I really wanted to sink my teeth into this theater and the coven.” The theater, which made its debut in Episode 2, is among the most beloved parts of Rice’s 1976 novel, the latter half of which finds Louis (Jacob Anderson) and Claudia (Delainey Hay...
The Sympathizer’ Cast Breaks Down the Mysterious Meaning of ‘Nothing’ in the Finale

The Sympathizer’ Cast Breaks Down the Mysterious Meaning of ‘Nothing’ in the Finale

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By Selome Hailu SPOILER ALERT: The following interview contains spoilers for “Endings Are Hard, Aren’t They?,” the series finale of “The Sympathizer” on HBO. Robert Downey Jr. may have played five different characters in “The Sympathizer,” but he’s not the only actor in the cast who assumes multiple identities. The limited series follows a North Vietnamese communist spy simply known as the Captain (Hoa Xuande) who’s embedded in a South Vietnamese community in Los Angeles after the war. Duy Nguyễn plays Man, the Captain’s handler, best friend and sole remaining connection to his home country. But for fear of surveillance, the two send decoy letters addressed to the Captain’s fictional aunt. Any real truths must be brief, focused and written in invisible ink. Therefore, wh...
The Jinx: Part Two’ Showed the Impossible Task of Topping a True Crime Classic

The Jinx: Part Two’ Showed the Impossible Task of Topping a True Crime Classic

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By Alison Herman No one could top the sensational ending to “The Jinx” — not even “The Jinx.” In 2015, the HBO true crime docuseries profiling New York real estate heir and alleged serial murderer Robert Durst shocked the world by catching Durst on a hot microphone making an apparent confession. “Killed them all, of course” was hardly a smoking gun from a legal point of view, but as television, those five words were the kind of stunning revelation that decades-old cold cases rarely provide. That Durst himself delivered the line in his distinctive, croaking rasp lent the whole saga the air of Greek tragedy, epitomizing the millionaire’s bizarre compulsion to unburden himself to filmmaker Andrew Jarecki in defiance of his own good luck. “The Jinx: Part Two” concludes on a more ant...
DC’s Green Lantern Series Taps Damon Lindelof, ‘Ozark’ Showrunner Chris Mundy as Writers

DC’s Green Lantern Series Taps Damon Lindelof, ‘Ozark’ Showrunner Chris Mundy as Writers

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By Michaela Zee Damon Lindelof (“Lost,” “Watchmen”) and Chris Mundy (“Ozark”) have joined DC’s upcoming Green Lantern series as writers. DC Studios co-CEO James Gunn confirmed the news on Instagram Saturday, writing, “Yes, it’s true. The ‘Lanterns’ DCU series is putting together a crack team of writers, based on a wonderful pilot script and bible by Chris Mundy, Tom King and Damon Lindelof.” Lindelof is known as the co-creator and showrunner of the sci-fi series “Lost,” which ran from 2004 to 2010 on ABC, and the 2019 HBO limited series “Watchmen.” He also co-created and served as showrunner on the HBO supernatural series “The Leftovers.” Mundy served as showrunner on the Netflix series “Ozark” from 2017 to 2022. He executi...
Industry Insiders May Face Tax Bills as California Reportedly Tightens Payroll Rules on Loan Out Corporations

Industry Insiders May Face Tax Bills as California Reportedly Tightens Payroll Rules on Loan Out Corporations

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By Cynthia Littleton The state of California has warned entertainment industry payroll providers and others that it is implementing policy changes that could have significant tax and retirement planning implications for those in Hollywood’s creative community who use loan out corporations to manage their business affairs. The California Employment Development Department has reportedly alerted payroll service Cast & Crew, IATSE and others of the plan to tighten rules for the use of loan out corporations. Many creatives in the industry use such a business structure to manage different forms of payments that flow in from disparate employers throughout the year. That’s increasingly common in the modern era when actors, writers, producers and directors often work o...
Black and White Visuals in ‘Ripley,’ ‘Feud’ and ‘Sugar’ Create ‘Otherworldly’ Settings Perfect for Gritty Murders and Glitzy Balls

Black and White Visuals in ‘Ripley,’ ‘Feud’ and ‘Sugar’ Create ‘Otherworldly’ Settings Perfect for Gritty Murders and Glitzy Balls

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By Hunter Ingram In Netflix’s “Ripley,” characters repeatedly call attention to the colors of the world around them. The blue hue of a painting; the purple paisley pattern of a robe. These vibrant details that might be passing remarks in any other show ring like a bell in “Ripley” simply because the show is shot entirely in black and white. Speaking these colors out loud intentionally acknowledges what’s missing from the frame: both the visual vibrancy and the moral character of its main character, author Patricia Highsmith’s legendary conman Tom Ripley (Andrew Scott). Black and white serves this narrative purpose well as Tom’s desire for the life of rich playboy Dickie Greenleaf (Johnny Flynn) becomes more twisted and violent — and that’s exactly what writer/director Steven Zaillian...
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