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Box Office: ‘Deadpool & Wolverine’ Returns to No. 1 in Fifth Weekend as ‘The Crow’ Bombs and ‘Blink Twice’ Stumbles

Box Office: ‘Deadpool & Wolverine’ Returns to No. 1 in Fifth Weekend as ‘The Crow’ Bombs and ‘Blink Twice’ Stumbles

cinema
By Rebecca Rubin According To The variety After a blip that allowed another film to sell some tickets, “Deadpool & Wolverine” returned to the top of box office charts in its fifth weekend of release. Marvel’s superhero adventure towered over the (albeit anemic) competition as two newcomers, “The Crow” and “Blink Twice,” misfired in their debuts. Director Zoe Kravitz’s twisted thriller “Blink Twice” led among new releases but faltered in fourth place with $7.3 million from 3,067 theaters. Meanwhile, Lionsgate’s R-rated reboot of “The Crow,” starring Bill Skarsgård as a murdered musician who is resurrected to avenge the deaths of himself and his fiancée, bombed with $4.6 million from 2,752 theaters to open in eighth place. Critics were fonder of “Blink Twice” compared to “The ...
Megalopolis’ Trailer’s Fake Critic Quotes Were AI-Generated, Lionsgate Drops Marketing Consultant Responsible For Snafu

Megalopolis’ Trailer’s Fake Critic Quotes Were AI-Generated, Lionsgate Drops Marketing Consultant Responsible For Snafu

News
By Gene Maddaus, Katcy Stephan According To The variety Lionsgate has parted ways with Eddie Egan, the marketing consultant who came up with the “Megalopolis” trailer that included fake quotes from famous film critics. The studio pulled the trailer on Wednesday, after it was pointed out that the quotes trashing Francis Ford Coppola’s previous work did not actually appear in the critics’ reviews, and were in fact made up. Sources tell Variety it was not Lionsgate or Egan’s intention to fabricate quotes, but was an error in properly vetting and fact-checking the phrases provided by the consultant. The intention of the trailer was to demonstrate that Coppola’s revered work, much like “Megalopolis,” has been met with criticism. It appears that AI was used to generate th...
Jennifer Lopez and Ben Affleck Are the Elizabeth Taylor and Richard Burton of the 2020s

Jennifer Lopez and Ben Affleck Are the Elizabeth Taylor and Richard Burton of the 2020s

News
By Daniel D'Addario According To The variety There’s something particularly painful about the news that — on the exact day of their wedding ceremony in Georgia in 2022 — Jennifer Lopez has filed for divorce from Ben Affleck. Up until now, we were intimately invited to be a part of their love story. Lopez, as documented in Stephen Rodrick’s profile for this magazine, took the risk of her career with the album and feature film “This Is Me… Now.” The record is end-to-end love songs about a journey of discovery that led Lopez to forgive herself, and made her ready to accept Affleck’s love once again. (The pair had been together from 2002 to 2004, and even got engaged; reunited, they first wed in a Nevada chapel in July 2022, an event chronicled in Lopez’s song “Midnight Tr...
Blink Twice’ Review: Zoë Kravitz Proves She’s a Total Filmmaker In a #MeToo-Meets-‘Midsommar’ Thriller Starring a Sinister Channing Tatum

Blink Twice’ Review: Zoë Kravitz Proves She’s a Total Filmmaker In a #MeToo-Meets-‘Midsommar’ Thriller Starring a Sinister Channing Tatum

News
By Owen Gleiberman According To The variety Blink Twice” opens with a blurry close-up shot of a frog, which then comes into glistening focus. The sound is eerie; the image is sinister, fascinating, mysterious and trippy. That describes the movie as well. “Blink Twice” is the first feature directed by Zoë Kravitz, who also co-wrote it (with E.T. Feigenbaum), and it’s a post-#MeToo feminist party-girl nightmare thriller that’s been made with an unusual sense of intimacy. Kravitz, the veteran actor (“The Batman,” “Kimi,” “Big Little Lies”), doesn’t rely on the standard medium shot/POV pedestrian film grammar. She composes the movie out of vibrant close-ups, using each shot (a cocktail, a glance, a social-media cutaway) to tell a story, drawing us into the center of an encounter, so th...
Alien: Romulus’ Ends ‘Deadpool & Wolverine’s’ Three-Week Box Office Reign With $41.5 Million Debut

Alien: Romulus’ Ends ‘Deadpool & Wolverine’s’ Three-Week Box Office Reign With $41.5 Million Debut

News
By Rebecca Rubin According To The variety “Alien: Romulus” ripped into the domestic box office with $41.5 million, marking the second-highest start in the long-running “Alien” franchise. Those ticket sales were enough for the newest chapter in Disney and 20th Century’s sci-fi horror saga to end the three-week reign of “Deadpool & Wolverine,” which just overtook “Joker” as the highest-grossing R-rated movie in history with $1.14 billion. These achievements are capping off Disney’s stellar summer streak, which ignited with “Kingdom of the Planet of the Apes” (May’s highest grossing movie with $397 million) and continued through “Inside Out 2” (June’s highest grossing movie with $1.597 billion) and “Deadpool & Wolverine” (July’s highest grossing movie with $1.14 billio...
Lithuanian Teen Drama ‘Toxic’ Wins Big at Locarno Film Festival

Lithuanian Teen Drama ‘Toxic’ Wins Big at Locarno Film Festival

News
By Guy Lodge According To The variety Lithuanian cinema, not typically that well represented on the international film festival circuit, was the big story of this year’s Locarno Film Festival awards ceremony, with two films from the Baltic nation taking a number of top prizes between them. “Toxic,” an auspicious debut from writer-director Saulė Bliuvaitė, won not only the Golden Leopard for Best Film in the fest’s premier International Competition — from a jury chaired by Austrian auteur Jessica Hausner — but also, in an unusual double, the top prize in the separately juried First Feature Competition. Bliuvaitė’s compatriot Laurynas Bareiša, meanwhile, won Best Director in the International Competition for his sophomore feature “Drowning Dry,” while the same film’...
Francis Ford Coppola’s ‘Megalopolis,’ Luca Guadagnino’s ‘Queer’ and More Added to TIFF Lineup

Francis Ford Coppola’s ‘Megalopolis,’ Luca Guadagnino’s ‘Queer’ and More Added to TIFF Lineup

News
By Rebecca Rubin According To The variety Francis Ford Coppola’s divisive sci-fi epic “Megalopolis” will have its North American premiere at the Toronto International Film Festival. TIFF has added that movie and several others, including Luca Guadadgnino’s “Queer” starring Daniel Craig and Pedro Almodóvar’s “The Room Next Door” led by Julianne Moore and Tilda Swinton, to its 2024 lineup. In total, 276 films will screen at this year’s festival, which is running from Sept. 5-15. In addition to official selection titles, TIFF has programmed special screenings of Damien Chazelle’s 2014 film “Whiplash,” as well as Mina Shum’s 1994 comedy “Double Happiness.” As previously announced, director David Gordon Green’s “Nutcrackers,” starring Ben Stiller, will open the festival while R...
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