Saturday, June 27Daily News

Tag: film festival

M3GAN 2.0’ Teaser Has the Killer Doll Dancing to Chappell Roan’s ‘Femininomenon’ and Proclaiming: ‘The B—- Is Back

M3GAN 2.0’ Teaser Has the Killer Doll Dancing to Chappell Roan’s ‘Femininomenon’ and Proclaiming: ‘The B—- Is Back

News
By Jordan Moreau According To The variety M3GAN is back for more AI doll horror. Blumhouse has revealed the first look at “M3GAN 2.0,” the sequel to the surprise horror hit from 2023 that introduced the world to the dancing, murdering robot M3GAN. In the short teaser that debuted during the the stage during the award show to perform “Pink Pony Club.” The first “M3GAN,” which stands for Model 3 Generative Android, follows a Grammys, the killer doll showed off some new dance moves while dancing to Chappell Roan‘s “Femininomenon.” The spot premiered shortly after Roan took young girl named Cady (Violet McGraw), who loses her parents in a car the ultimate companion for kids. Unsurprisingly, the AI robot turns dangerous and kills anything that she deems a threat to Cady. Gemma and Cady de...
Kiss of the Spider Woman’ Review: Jennifer Lopez Provides Welcome Escape From Grim World of Argentine Prisoners

Kiss of the Spider Woman’ Review: Jennifer Lopez Provides Welcome Escape From Grim World of Argentine Prisoners

News
By Peter Debruge     According To The variety Boundaries are constantly blurring in “Kiss of the Spider Woman,” the revolutionary mid-’80s film that became a Kander and Ebb musical, and that cunningly (and stunningly) morphs back to the big screen, courtesy of “Dreamgirls” director Bill Condon. Confined mostly to an Argentine detention facility in 1983, at the height of the country’s Dirty War, the show is the flip side of Andrew Lloyd Webber’s “Evita,” focusing on the brutal military regime that followed Eva Péron’s ouster. Bleak as that may sound, the musical finds rare shards of light — and an unlikely connection — in the most despairing of places. In every incarnation of Manuel Puig’s novel, cinema offers much-needed escapism from not only political injustice, but also the k...
Mad Bills to Pay’ Review: Soon-to-Be Father in the Bronx Struggles to Stay the Course in Impressively Acted Vérité Drama

Mad Bills to Pay’ Review: Soon-to-Be Father in the Bronx Struggles to Stay the Course in Impressively Acted Vérité Drama

News
By Carlos Aguilar According To The variety Watching a friend be berated by his mother or witnessing a couple’s heated public argument comes with the uncomfortable feeling that one is intruding in a private matter. Those outbursts of emotion, often reserved for the eyes and ears of those involved, are magnified via a potent cinematic voice in writer-director Joel Alfonso Vargas’ impressively conceived and superbly acted social realist debut “Mad Bills to Pay (or Destiny, dile que no soy malo).” Expanded from the short film “May It Go Beautifully for You, Rico” which premiered in 2024, “Mad Bills” opens with a title card that warns “the working man is a sucker,” a succinct adage that encompasses the verité drama’s thematic essence: the tug of war between a person’s agency over t...
Presence’ Writer David Koepp on That Devastating Ending, Steven Soderbergh Playing a Ghost and His Return to the ‘Jurassic’ Franchise

Presence’ Writer David Koepp on That Devastating Ending, Steven Soderbergh Playing a Ghost and His Return to the ‘Jurassic’ Franchise

News
By J. Kim Murphy According To The variety SPOILER ALERT: This article discusses the plot and ending of “Presence,” now playing in theaters. As with many ghost stories, the presence in “Presence” has a good reason to haunt its house. After watching on as the Payne family turns against one another, the Presence that drifts around their newly purchased, bougie abode makes a grand gesture to save its tattered residents. Looming above as the drugged Chloe (Callina Liang) is about to be murdered by her new boyfriend Ryan (West Mulholland), the ghost swoops downstairs to awaken her brother Tyler (Eddy Maday) from his own roofie-induced slumber. In a possessed rush, Tyler storms up the stairwell, down the corridor and enters the bedroom to tackle Ryan, who has already killed one of C...
Blake Lively and Justin Baldoni Feud: ‘A Pure PR Play’ With Real Legal Stakes

Blake Lively and Justin Baldoni Feud: ‘A Pure PR Play’ With Real Legal Stakes

News
By Gene Maddaus According To The variety In footage from the set of “It Ends With Us,” Justin Baldoni and Blake Lively engage in a polite, even friendly, discussion about how to show their characters falling in love. Should they kiss? Or is it more romantic for them to talk? He smiles. She laughs. Yet, they were growing to despise each other. She thought Baldoni — the co-star, director, and studio head — was overstepping her boundaries; he felt she couldn’t take direction. That simple interaction from May 2023 — which might in other circumstances have been marked down to “creative differences” — has flourished over the last month into an all-out legal war, leading to a civil rights complaint and four lawsuits (so far). In this still-unfolding controvers...
Box Office: ‘Flight Risk’ Gets Off the Ground With $4.4 Million Opening Day

Box Office: ‘Flight Risk’ Gets Off the Ground With $4.4 Million Opening Day

News
By J. Kim Murphy According To The variety Mel Gibson and Mark Wahlberg‘s “Flight Risk” is facing no traffic on the runway, lifting off to an easy No. 1 opening in what is turning out to be another sleepy weekend at the January box office. The Lionsgate thriller carried on $4.4 million from 3,161 locations across Friday and preview screenings. Even at that modest gross, it’ll be Lionsgate’s second No. 1 debut of the year after “Den of Thieves 2: Pantera.” A three-day opening north of $11 million is now projected, though there’s potential turbulence ahead. NFL conference championships could keep a significant fraction of viewers out of theaters on Sunday, but the warning signs aren’t just outside multiplexes. Lionsgate held the review embargo for “Flight Risk” until preview s...
Ricky’ Review: Powerful Sundance Drama About a Young Man Just Out of Prison Navigating a World of Booby Traps Establishes Rashad Frett as a Born Filmmaker

Ricky’ Review: Powerful Sundance Drama About a Young Man Just Out of Prison Navigating a World of Booby Traps Establishes Rashad Frett as a Born Filmmaker

News
By Owen Gleiberman According To The variety A dozen years ago, at the 2013 Sundance Film Festival, I sat in the Eccles Theatre and watched “Fruitvale” (later entitled “Fruitvale Station”), Ryan Coogler’s true-life drama about Oscar Grant, a young man who was fatally shot by Bay Area police, even though he had done nothing. By the time the film ended, everyone in the audience knew that we’d seen something straight-up extraordinary, and that Coogler was a born filmmaker. When he got up on stage, he was ebullient — grateful for the response, but you could also see, as his words poured forth, that he was already bursting with the stories he wanted to tell. This, for a viewer (or critic), is the Sundance dream: to go into a film you know nothing about, and two hours later you’ve witness...
deneme bonusu veren siteler - canlı bahis siteleri - casino siteleri casino siteleri deneme bonusu veren siteler canlı casino siteleri error code: 520