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Tag: film

The Wild Robot’ Review: It’s No ‘Iron Giant,’ Though DreamWorks’ Tale of a Wayward Droid Is a Keeper

The Wild Robot’ Review: It’s No ‘Iron Giant,’ Though DreamWorks’ Tale of a Wayward Droid Is a Keeper

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By Peter Debruge According To The variety A gorgeous computer-generated cartoon with a human heart beating beneath its sleek, state-of-the-art surface, DreamWorks Animation’s “The Wild Robot” arrives at a time when the public seems more concerned than ever about being outsmarted by artificial intelligence. It’s somewhat ironic then that the movie, a lovely chosen-family fable adapted from the first book in Peter Brown’s open-ended series, features no human characters of consequence. Instead, “The Wild Robot” concerns an overzealous automaton named ROZZUM 7134 (or simply “Roz” for short), whose personality comes partly from Lupita Nyong’o and the rest from the artists at DWA. Together with “How to Train Your Dragon” co-director Chris Sanders, they imbue this bot — basically,...
Eden’ Review: Ron Howard’s Historical ‘Thriller’ Strands Us On an Island with Characters Who Grow More Dislikable by the Minute

Eden’ Review: Ron Howard’s Historical ‘Thriller’ Strands Us On an Island with Characters Who Grow More Dislikable by the Minute

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By Owen Gleiberman According To The variety Ron Howard has always taken pride in being an eclectic filmmaker — in the last 40 years, he has made movies about mermaids, cocoons, auto factories, astronauts, firefighters, newspapers, beautiful minds, cave rescuers, the Grinch, the Da Vinci Code, the Beatles, and Pavarotti. But at the Toronto Film Festival premiere of his latest movie, “Eden,” he declared that the film stands farther apart from his other work than anything he has ever done. He’s right, though not for the reason he thinks. “Eden,” which is based on events that unfolded 100 years ago on one of the Galápagós Islands, is a difficult movie to characterize. It’s been labeled as a “thriller,” but I would describe it as a misanthropic survivalist “Robinson Crusoe” meets “Wh...
Nightbitch’ Review: Amy Adams Ferociously Resists the Changes Imposed by Parenthood in Didactic but Welcome Ode to Moms

Nightbitch’ Review: Amy Adams Ferociously Resists the Changes Imposed by Parenthood in Didactic but Welcome Ode to Moms

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By Peter Debruge According To The variety It’s been more than half a century since Helen Reddy sang, “I am woman, hear me roar!” but the line remains as good a mantra as any for Amy Adams’ ferocious lead performance in Marielle Heller’s tamer-than-expected “Nightbitch.” Identified only as “Mother” in the credits, Adams plays a woman who gave up her career to raise her son, but is only now, four years in to stay-at-home motherhood, realizing just how much the experience has changed her. “Transformed” might actually be a better word, since her primeval awakening gives off serious werewolf-movie vibes. This mother believes she might be turning into a dog. Novelist Rachel Yoder opens “Nightbitch” with the words “for my mom & for all the moms.” To some, that might sound like...
Orlando Bloom Spoke to Director Andy Serkis About New ‘Lord of the Rings’ Movies and Wants to Return: If Peter Jackson ‘Says Jump, I Say How High’

Orlando Bloom Spoke to Director Andy Serkis About New ‘Lord of the Rings’ Movies and Wants to Return: If Peter Jackson ‘Says Jump, I Say How High’

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By Ethan Shanfeld According To The variety A few days after Ian McKellen expressed interest in returning as Gandalf in Peter Jackson’s new live-action “Lord of the Rings” movies, his co-star Orlando Bloom is adding his name to the list. When asked by Variety if he was interested in returning to the Tolkien franchise, the Legolas actor said, “Oh, man, those things are amazing. Yeah. I don’t know how they’d do it. I guess with AI you can do anything these days. But, if Pete [Peter Jackson] says jump, I say, ‘how high?’ I mean, he started my whole career.” The new Middle-earth movies will kick off in 2026 with “Lord of the Rings: The Hunt for Gollum,” directed by Andy Serkis, who will reprise his role of Gollum/Sméagol. Original franchise director Jackson is on bo...
Elton John Cries as Intimate Documentary Looking Back on His Life Premieres at TIFF: ‘On My Tombstone, I Want It to Say He Was a Great Dad’

Elton John Cries as Intimate Documentary Looking Back on His Life Premieres at TIFF: ‘On My Tombstone, I Want It to Say He Was a Great Dad’

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By Rebecca Rubin, Ethan Shanfeld According To The variety “I have one question… who is wearing sequins?” It’s a fair query for Cameron Bailey, Toronto International Film Festival’s CEO, to ask at Friday night’s world premiere of “Elton John: Never Too Late,” a revealing look at the generation-spanning musical (and fashion) icon. Although he’s one of the best-selling artists of all time, a tearful John told the crowd at Roy Thomson Hall that family is more important to him than fame. “On my tombstone, I don’t want it to say he sold a million records. I want it to say he was a great dad and great husband.” “Never Too Late” captures John’s journey to becoming one of the world’s biggest rock stars, bookended by his landmark performances at Dodger Stadium in Los Angeles in 1975 to m...
Jude Law Is Officially Back After 7-Minute Standing Ovation at Venice for Fighting White Supremacy in ‘The Order’

Jude Law Is Officially Back After 7-Minute Standing Ovation at Venice for Fighting White Supremacy in ‘The Order’

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By Alex Ritman, Nick Vivarelli According To The variety Jude Law lit up the Lido with his powerful performance as an FBI agent fighting neo-Nazi terrorists in Justin Kurzel‘s timely crime thriller “The Order” that elicited a seven-minute standing ovation at its Venice Film Festival premiere. Prior to the screening Jude Law, looking dashing in a black shirtless suit, took selfies with screaming fans on the Palazzo del Cinema red carpet. When the lights went up, Law was glowing as he and director Kurzel and co-stars Nicholas Hoult, Tye Sheridan and Jurnee Smollett soaked up the rapturous seven-minute applause, which could have lasted longer had they not exited the theatre waving to the still cheering crowd. Based on true events, the film is set ...
Conclave’ Review: Ralph Fiennes, Looking Tortured, Leads a Tense Search for a New Pope

Conclave’ Review: Ralph Fiennes, Looking Tortured, Leads a Tense Search for a New Pope

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By Peter Debruge According To The variety If you think the American presidential election has been unpredictable, wait’ll you see how capricious things get at the Vatican when the cardinals assemble to choose a new pope in “Conclave.” Adapted from the Robert Harris novel by Edward Berger, who assumes a very different challenge after “All Quiet on the Western Front,” this thinking man’s thriller unfolds like a murder mystery behind the locked doors of the Domus Sanctae Marthae, where the College of Cardinals is cloistered, except no one suspects foul play in the previous pontiff’s death. Still, intrigues abound as the papabili — those considered next in line for the job, played by such formidable actors as Ralph Fiennes, Stanley Tucci and John Lithgow — pull whatever levers ...
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