international brightlight film festival Archives

Dec12024 by cineverseNo Comments

Deadpool & Wolverine’ Cut X-Rated Disney Diss Revealed: Script Still Has ‘Mickey Mouse C—‘ Joke

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By William Earl According To The variety Disney‘s R-rated action-comedy “Deadpool & Wolverine” was a box office juggernaut this summer, and the creative team applauded the company for letting them poke plenty of jokes at the Marvel Cinematic Universe, the actors’ personal lives and many other frequently taboo topics. But there was one line that Ryan Reynolds was asked not to say by the company. In interviews ahead of the film’s release, Reynolds confirmed that one Deadpool joke was left out of the movie. Disney’s FYC online portal has released the official script, in which the original joke is written. The moment takes place after Deadpool learns that Magneto is already dead, and he breaks the fourth wall in anger: “FUCK! What we can’t even affor...

Dec12024 by cineverseNo Comments

Is Hollywood’s Addiction to Sequels Cannibalizing Its Future?

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By Owen Gleiberman According To The variety The other day, as I was looking up a data point on boxofficemojo.com, I noticed something that shocked me: The top 10 grossing movies of 2024, from “Inside Out 2” to “Kingdom of the Planet of the Apes,” are all sequels. Every goddamn one of them. “Wicked” and “Moana 2” will soon bring break into the top 10 — and though “Wicked” isn’t technically a sequel, when you consider how many people have seen the original Broadway show, the truth is that the movie version, as much as any sequel, is a kind-of-the-same-but-also-different follow-up to a gargantuan known quantity. It’s all part of déjà vu entertainment culture. The reason I was shocked by the fact that I could be shocked by this is that Hollywood has been famously awash in seque...

Dec12024 by cineverseNo Comments

Box Office: ‘Moana 2’ Keeps Making Waves With Biggest Black Friday Ever

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By J. Kim Murphy According To The variety The big splash continues for Disney’s “Moana 2,” which earned a massive $54.5 million on Black Friday from 4,200 locations, shattering the $34.1 million record that was notched by “Frozen II” in 2019. Not only that, but the film has now earned $140 million and already surged past the five-day holiday weekend record by “Frozen II” ($125 million) — and it didn’t even need Saturday or Sunday grosses to do it. It’s a welcome return to the top for Walt Disney Animation, particularly after turning in two box office duds (“Strange World” and “Wish”) over the past two Novembers — and it’s strong evidence that the company’s family fare is still a superlative theatrical draw. “Moana 2” was originally conceived as a Disney+ series, but the studio’s deci...

Nov132024 by cineverseNo Comments

Hot Frosty’ Review: Lacey Chabert Trades Fruitcake for Beefcake in Netflix’s Heartwarming Holiday Romp

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By Courtney Howard According To The variety Shaking up holiday traditions in irreverently welcome ways, director Jerry Ciccoritti and writer Russell Hainline’s “Hot Frosty” redesigns the look and feel of the familiar snow-made showcase. Their story, centered on a wishful widow who magically transforms a snowman into a hunky rube, balances its sillier aspects with a touching sense of sincerity. They do away with the cartoonish character’s corncob pipe, coal eyes and rotund body, replacing these features with beefy biceps, chiseled bone structure and sculpted abs. The narrative delivers some refreshing highlights for the benefit of Netflix’s Holiday Cinematic Universe, specifically acknowledging its target audience’s yearning for a sprinkling of cheeky, wanton lust alongside its...

Nov132024 by cineverseNo Comments

Dwayne Johnson’s ‘Red One’ Targets $30 Million Box Office Bounty

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By Rebecca Rubin According To The variety Will “Red One,” a Christmas action-comedy where Dwayne Johnson plays Santa’s head of security, bring movie theaters a box office bounty? The film, from Amazon MGM, is targeting $30 million to $35 million from 4,032 locations in its first weekend of release. Independent tracking services are mixed, suggesting that “Red One” could earn as little as $25 million and as much as $40 million in its debut. Ticket sales on the higher end of that range would be decent for an original holiday film. However, “Red One” cost $250 million before accounting for global marketing efforts. So either way, the movie will need positive word-of-mouth to portend a long life in theaters and justify its cost. Of course, Amazon MGM cares about much more than box off...

Nov122024 by cineverseNo Comments

Yellowstone’ Director on John Dutton’s Bloody Crime Scene, Beth’s Primal Wail and More Secrets

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By William Earl According To The variety SPOILER ALERT: This post contains spoilers for “Yellowstone” Season 5 Episode 9, “Desire Is All You Need.” Sunday’s episode of “Yellowstone” was a game-changer, as patriarch John Dutton (Kevin Costner) was killed off after the actor decided not to return to the show. As shocking as the event was, the aftermath has reverberations that set the scene for the whole season. Director Christina Alexandra Voros spoke with Variety about the intense emotions conjured while filming the episode, how the crew supports the cast on complicated shooting days and what sequel series “The Madison” will have in common with “Yellowstone.” There was a long time between filming the first and second half of Season 5, and Kevin Costner a...

Nov122024 by cineverseNo Comments

Gladiator II’ Review: Paul Mescal Is a Pensive Avenger in Ridley Scott’s Serviceable but Far From Great Sequel

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By Owen Gleiberman According To The variety It may not be high praise, but “Gladiator II,” the sequel to Ridley Scott’s landmark slash-and-burn ancient Rome spectacular, is probably about as good a movie as we could have expected it to be. Written by David Scarpa (“Napoleon”) and directed by Scott (who, at 86, hasn’t lost his touch for the peacock pageantry of teeming masses thirsting for blood), the movie is a solid piece of neoclassical popcorn — a serviceable epic of brutal warfare, Colosseum duels featuring lavish decapitations and beasts both animal and human, along with the middlebrow “decadence” of palace intrigue. The whole film is tailored to the next-generation specifications of its star, Paul Mescal, who plays a descendant of Russell Crowe’s Maximus (I won’t say more)...

Tag: international brightlight film festival

Deadpool & Wolverine’ Cut X-Rated Disney Diss Revealed: Script Still Has ‘Mickey Mouse C—‘ Joke

Is Hollywood’s Addiction to Sequels Cannibalizing Its Future?

Box Office: ‘Moana 2’ Keeps Making Waves With Biggest Black Friday Ever

Hot Frosty’ Review: Lacey Chabert Trades Fruitcake for Beefcake in Netflix’s Heartwarming Holiday Romp

Dwayne Johnson’s ‘Red One’ Targets $30 Million Box Office Bounty

Yellowstone’ Director on John Dutton’s Bloody Crime Scene, Beth’s Primal Wail and More Secrets

Gladiator II’ Review: Paul Mescal Is a Pensive Avenger in Ridley Scott’s Serviceable but Far From Great Sequel

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