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Tag: film festival

Kiss of the Spider Woman’ Review: Jennifer Lopez Provides Welcome Escape From Grim World of Argentine Prisoners

Kiss of the Spider Woman’ Review: Jennifer Lopez Provides Welcome Escape From Grim World of Argentine Prisoners

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By Peter Debruge     According To The variety Boundaries are constantly blurring in “Kiss of the Spider Woman,” the revolutionary mid-’80s film that became a Kander and Ebb musical, and that cunningly (and stunningly) morphs back to the big screen, courtesy of “Dreamgirls” director Bill Condon. Confined mostly to an Argentine detention facility in 1983, at the height of the country’s Dirty War, the show is the flip side of Andrew Lloyd Webber’s “Evita,” focusing on the brutal military regime that followed Eva Péron’s ouster. Bleak as that may sound, the musical finds rare shards of light — and an unlikely connection — in the most despairing of places. In every incarnation of Manuel Puig’s novel, cinema offers much-needed escapism from not only political injustice, but also the k...
Mad Bills to Pay’ Review: Soon-to-Be Father in the Bronx Struggles to Stay the Course in Impressively Acted Vérité Drama

Mad Bills to Pay’ Review: Soon-to-Be Father in the Bronx Struggles to Stay the Course in Impressively Acted Vérité Drama

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By Carlos Aguilar According To The variety Watching a friend be berated by his mother or witnessing a couple’s heated public argument comes with the uncomfortable feeling that one is intruding in a private matter. Those outbursts of emotion, often reserved for the eyes and ears of those involved, are magnified via a potent cinematic voice in writer-director Joel Alfonso Vargas’ impressively conceived and superbly acted social realist debut “Mad Bills to Pay (or Destiny, dile que no soy malo).” Expanded from the short film “May It Go Beautifully for You, Rico” which premiered in 2024, “Mad Bills” opens with a title card that warns “the working man is a sucker,” a succinct adage that encompasses the verité drama’s thematic essence: the tug of war between a person’s agency over t...
Presence’ Writer David Koepp on That Devastating Ending, Steven Soderbergh Playing a Ghost and His Return to the ‘Jurassic’ Franchise

Presence’ Writer David Koepp on That Devastating Ending, Steven Soderbergh Playing a Ghost and His Return to the ‘Jurassic’ Franchise

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By J. Kim Murphy According To The variety SPOILER ALERT: This article discusses the plot and ending of “Presence,” now playing in theaters. As with many ghost stories, the presence in “Presence” has a good reason to haunt its house. After watching on as the Payne family turns against one another, the Presence that drifts around their newly purchased, bougie abode makes a grand gesture to save its tattered residents. Looming above as the drugged Chloe (Callina Liang) is about to be murdered by her new boyfriend Ryan (West Mulholland), the ghost swoops downstairs to awaken her brother Tyler (Eddy Maday) from his own roofie-induced slumber. In a possessed rush, Tyler storms up the stairwell, down the corridor and enters the bedroom to tackle Ryan, who has already killed one of C...
Blake Lively and Justin Baldoni Feud: ‘A Pure PR Play’ With Real Legal Stakes

Blake Lively and Justin Baldoni Feud: ‘A Pure PR Play’ With Real Legal Stakes

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By Gene Maddaus According To The variety In footage from the set of “It Ends With Us,” Justin Baldoni and Blake Lively engage in a polite, even friendly, discussion about how to show their characters falling in love. Should they kiss? Or is it more romantic for them to talk? He smiles. She laughs. Yet, they were growing to despise each other. She thought Baldoni — the co-star, director, and studio head — was overstepping her boundaries; he felt she couldn’t take direction. That simple interaction from May 2023 — which might in other circumstances have been marked down to “creative differences” — has flourished over the last month into an all-out legal war, leading to a civil rights complaint and four lawsuits (so far). In this still-unfolding controvers...
Box Office: ‘Flight Risk’ Gets Off the Ground With $4.4 Million Opening Day

Box Office: ‘Flight Risk’ Gets Off the Ground With $4.4 Million Opening Day

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By J. Kim Murphy According To The variety Mel Gibson and Mark Wahlberg‘s “Flight Risk” is facing no traffic on the runway, lifting off to an easy No. 1 opening in what is turning out to be another sleepy weekend at the January box office. The Lionsgate thriller carried on $4.4 million from 3,161 locations across Friday and preview screenings. Even at that modest gross, it’ll be Lionsgate’s second No. 1 debut of the year after “Den of Thieves 2: Pantera.” A three-day opening north of $11 million is now projected, though there’s potential turbulence ahead. NFL conference championships could keep a significant fraction of viewers out of theaters on Sunday, but the warning signs aren’t just outside multiplexes. Lionsgate held the review embargo for “Flight Risk” until preview s...
Ricky’ Review: Powerful Sundance Drama About a Young Man Just Out of Prison Navigating a World of Booby Traps Establishes Rashad Frett as a Born Filmmaker

Ricky’ Review: Powerful Sundance Drama About a Young Man Just Out of Prison Navigating a World of Booby Traps Establishes Rashad Frett as a Born Filmmaker

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By Owen Gleiberman According To The variety A dozen years ago, at the 2013 Sundance Film Festival, I sat in the Eccles Theatre and watched “Fruitvale” (later entitled “Fruitvale Station”), Ryan Coogler’s true-life drama about Oscar Grant, a young man who was fatally shot by Bay Area police, even though he had done nothing. By the time the film ended, everyone in the audience knew that we’d seen something straight-up extraordinary, and that Coogler was a born filmmaker. When he got up on stage, he was ebullient — grateful for the response, but you could also see, as his words poured forth, that he was already bursting with the stories he wanted to tell. This, for a viewer (or critic), is the Sundance dream: to go into a film you know nothing about, and two hours later you’ve witness...
Sterling K. Brown Is Finally No. 1 on the Call Sheet: The Actor on Hulu’s ‘Paradise,’ Turning Down ‘The Boys’ and Leaving Randall Pearson Behind

Sterling K. Brown Is Finally No. 1 on the Call Sheet: The Actor on Hulu’s ‘Paradise,’ Turning Down ‘The Boys’ and Leaving Randall Pearson Behind

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By Jennifer Maas According To The variety Sterling K. Brown is done crying every week. Two days before Thanksgiving, Brown is sitting at a long table in a photo studio in Culver City, digging into a take-out lunch as he begins to break down the plot of his new Hulu drama series, “Paradise.”  Brown chooses his words deliberately while simultaneously ramping up his energy to match his passion for the subject. It’s a significant departure from “This Is Us,” the NBC family drama that made Brown a star as fan-favorite character Randall Pearson, and was known for giving audiences a good weep. Though “Paradise” hails from the same creator and executive producer, Dan Fogelman, this series aims to provoke very different emotions in viewers. It’s a contemporary political thri...
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