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Tag: hollywood

Breaking Down ‘The Crow’: Inside the Reboot’s Provocative Ending, Bone-Crushing Fights and Potential Sequels

Breaking Down ‘The Crow’: Inside the Reboot’s Provocative Ending, Bone-Crushing Fights and Potential Sequels

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By William Earl According To The variety SPOILER ALERT:This article contains spoilers for the entire plot of “The Crow,” now playing in theaters. Director Rupert Sanders knows that “The Crow,” his third film, will inevitably be seen through the spectrum of nostalgia for the 1994 cult hit. “I just wanted to make something,” he says. “I knew there would be people who didn’t want it to happen. But I didn’t record over someone’s VHS — that movie’s still there and those people are still going to love that movie.” Yet Sanders is confident in his new vision of the antihero. In his film, Eric (Bill Skarsgård) and his fiancée Shelly (FKA Twigs) are murdered by crime boss Vincent Roeg (Danny Huston). Yet Eric is offered the chance to walk the earth again as a powerful, dark vig...
Megalopolis’ Trailer’s Fake Critic Quotes Were AI-Generated, Lionsgate Drops Marketing Consultant Responsible For Snafu

Megalopolis’ Trailer’s Fake Critic Quotes Were AI-Generated, Lionsgate Drops Marketing Consultant Responsible For Snafu

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By Gene Maddaus, Katcy Stephan According To The variety Lionsgate has parted ways with Eddie Egan, the marketing consultant who came up with the “Megalopolis” trailer that included fake quotes from famous film critics. The studio pulled the trailer on Wednesday, after it was pointed out that the quotes trashing Francis Ford Coppola’s previous work did not actually appear in the critics’ reviews, and were in fact made up. Sources tell Variety it was not Lionsgate or Egan’s intention to fabricate quotes, but was an error in properly vetting and fact-checking the phrases provided by the consultant. The intention of the trailer was to demonstrate that Coppola’s revered work, much like “Megalopolis,” has been met with criticism. It appears that AI was used to generate th...
Sabrina Carpenter Teases and Torments on the Masterful — and Devilishly NSFW — ‘Short n’ Sweet’: Album Review

Sabrina Carpenter Teases and Torments on the Masterful — and Devilishly NSFW — ‘Short n’ Sweet’: Album Review

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By Jem Aswa According To The variety “Short and Sweet” might be Sabrina Carpenter’s sixth album, but even she says it feels more like her second. After the creative breakthrough of 2022’s “Emails I Can’t Send” — which we’ll call her “Disney-mancipation” after nearly a decade as a child star — “S n’ S” is the powerful next step in her evolution as an artist, person and persona. You already know the persona from this album’s two lead singles, “Espresso” and “Please Please Please,” and their videos: A woman who’s pretty but tough, funny, sassy, confident, sexually up-front and with a fiery mean streak, but who’s not without insecurities and heartache. The songs here are nearly all about love, every kind of it: True love, stupid love, crushes, I-really-should-know-bet...
Cannes ACID Title ‘Most People Die on Sundays’ Acquired by Big World Pictures for U.S., Canada (EXCLUSIVE)

Cannes ACID Title ‘Most People Die on Sundays’ Acquired by Big World Pictures for U.S., Canada (EXCLUSIVE)

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By Naman Ramachandran  According To The variety Big World Pictures has acquired U.S. and Canadian distribution rights to Iair Said’s “Most People Die on Sundays” from sales agent Heretic. The existential comedy, Said’s fiction feature debut, was an official selection in the ACID sidebar at this year’s Cannes Film Festival. The film is set for a theatrical release in early 2025, following a fall festival run. Said previously directed the documentary feature “Flora’s Life Is No Picnic.” “Most People Die on Sundays” follows David, a young middle-class Jewish man described as corpulent, homosexual, and afraid of flying. He returns to Buenos Aires from Europe for his uncle’s funeral, only to learn that his mother has decided to disconnect his father’s respirator. The story ex...
Jennifer Lopez and Ben Affleck Are the Elizabeth Taylor and Richard Burton of the 2020s

Jennifer Lopez and Ben Affleck Are the Elizabeth Taylor and Richard Burton of the 2020s

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By Daniel D'Addario According To The variety There’s something particularly painful about the news that — on the exact day of their wedding ceremony in Georgia in 2022 — Jennifer Lopez has filed for divorce from Ben Affleck. Up until now, we were intimately invited to be a part of their love story. Lopez, as documented in Stephen Rodrick’s profile for this magazine, took the risk of her career with the album and feature film “This Is Me… Now.” The record is end-to-end love songs about a journey of discovery that led Lopez to forgive herself, and made her ready to accept Affleck’s love once again. (The pair had been together from 2002 to 2004, and even got engaged; reunited, they first wed in a Nevada chapel in July 2022, an event chronicled in Lopez’s song “Midnight Tr...
Cancer-Surviving Cricket Star Yuvraj Singh Biopic Set at India’s T-Series (EXCLUSIVE)

Cancer-Surviving Cricket Star Yuvraj Singh Biopic Set at India’s T-Series (EXCLUSIVE)

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By Naman Ramachandran According To The variety Cricket sensation Yuvraj Singh‘s remarkable journey from prodigy to World Cup hero to cancer survivor is getting the biopic movie treatment. Prolific Indian studio T-Series head Bhushan Kumar has revealed a film chronicling the life and career of the Indian cricketing icon, which captures Singh’s triumphs both on and off the field. Kumar, known for backing high-profile projects like “Animal,” “Drishyam 2,” “Kabir Singh” and “Tanhaji: The Unsung Warrior,” is joining forces with producer Ravi Bhagchandka to bring Singh’s story to life. Bhagchandka will co-produce via 200 Not Out Cinema. The biopic marks the second time Bhagchandka has brought a cricketer’s life to the big screen, following the 2017 Sachin Tendulkar docu...
Blink Twice’ Review: Zoë Kravitz Proves She’s a Total Filmmaker In a #MeToo-Meets-‘Midsommar’ Thriller Starring a Sinister Channing Tatum

Blink Twice’ Review: Zoë Kravitz Proves She’s a Total Filmmaker In a #MeToo-Meets-‘Midsommar’ Thriller Starring a Sinister Channing Tatum

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By Owen Gleiberman According To The variety Blink Twice” opens with a blurry close-up shot of a frog, which then comes into glistening focus. The sound is eerie; the image is sinister, fascinating, mysterious and trippy. That describes the movie as well. “Blink Twice” is the first feature directed by Zoë Kravitz, who also co-wrote it (with E.T. Feigenbaum), and it’s a post-#MeToo feminist party-girl nightmare thriller that’s been made with an unusual sense of intimacy. Kravitz, the veteran actor (“The Batman,” “Kimi,” “Big Little Lies”), doesn’t rely on the standard medium shot/POV pedestrian film grammar. She composes the movie out of vibrant close-ups, using each shot (a cocktail, a glance, a social-media cutaway) to tell a story, drawing us into the center of an encounter, so th...
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