Saturday, August 15Daily News

Tag: hollywood

The Jinx: Part Two’ Showed the Impossible Task of Topping a True Crime Classic

The Jinx: Part Two’ Showed the Impossible Task of Topping a True Crime Classic

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By Alison Herman No one could top the sensational ending to “The Jinx” — not even “The Jinx.” In 2015, the HBO true crime docuseries profiling New York real estate heir and alleged serial murderer Robert Durst shocked the world by catching Durst on a hot microphone making an apparent confession. “Killed them all, of course” was hardly a smoking gun from a legal point of view, but as television, those five words were the kind of stunning revelation that decades-old cold cases rarely provide. That Durst himself delivered the line in his distinctive, croaking rasp lent the whole saga the air of Greek tragedy, epitomizing the millionaire’s bizarre compulsion to unburden himself to filmmaker Andrew Jarecki in defiance of his own good luck. “The Jinx: Part Two” concludes on a more ant...
DC’s Green Lantern Series Taps Damon Lindelof, ‘Ozark’ Showrunner Chris Mundy as Writers

DC’s Green Lantern Series Taps Damon Lindelof, ‘Ozark’ Showrunner Chris Mundy as Writers

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By Michaela Zee Damon Lindelof (“Lost,” “Watchmen”) and Chris Mundy (“Ozark”) have joined DC’s upcoming Green Lantern series as writers. DC Studios co-CEO James Gunn confirmed the news on Instagram Saturday, writing, “Yes, it’s true. The ‘Lanterns’ DCU series is putting together a crack team of writers, based on a wonderful pilot script and bible by Chris Mundy, Tom King and Damon Lindelof.” Lindelof is known as the co-creator and showrunner of the sci-fi series “Lost,” which ran from 2004 to 2010 on ABC, and the 2019 HBO limited series “Watchmen.” He also co-created and served as showrunner on the HBO supernatural series “The Leftovers.” Mundy served as showrunner on the Netflix series “Ozark” from 2017 to 2022. He executi...
Industry Insiders May Face Tax Bills as California Reportedly Tightens Payroll Rules on Loan Out Corporations

Industry Insiders May Face Tax Bills as California Reportedly Tightens Payroll Rules on Loan Out Corporations

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By Cynthia Littleton The state of California has warned entertainment industry payroll providers and others that it is implementing policy changes that could have significant tax and retirement planning implications for those in Hollywood’s creative community who use loan out corporations to manage their business affairs. The California Employment Development Department has reportedly alerted payroll service Cast & Crew, IATSE and others of the plan to tighten rules for the use of loan out corporations. Many creatives in the industry use such a business structure to manage different forms of payments that flow in from disparate employers throughout the year. That’s increasingly common in the modern era when actors, writers, producers and directors often work o...
Black and White Visuals in ‘Ripley,’ ‘Feud’ and ‘Sugar’ Create ‘Otherworldly’ Settings Perfect for Gritty Murders and Glitzy Balls

Black and White Visuals in ‘Ripley,’ ‘Feud’ and ‘Sugar’ Create ‘Otherworldly’ Settings Perfect for Gritty Murders and Glitzy Balls

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By Hunter Ingram In Netflix’s “Ripley,” characters repeatedly call attention to the colors of the world around them. The blue hue of a painting; the purple paisley pattern of a robe. These vibrant details that might be passing remarks in any other show ring like a bell in “Ripley” simply because the show is shot entirely in black and white. Speaking these colors out loud intentionally acknowledges what’s missing from the frame: both the visual vibrancy and the moral character of its main character, author Patricia Highsmith’s legendary conman Tom Ripley (Andrew Scott). Black and white serves this narrative purpose well as Tom’s desire for the life of rich playboy Dickie Greenleaf (Johnny Flynn) becomes more twisted and violent — and that’s exactly what writer/director Steven Zaillian...
‘Knives Out 3’ Title Revealed as ‘Wake Up Dead Man’; Rian Johnson Confirms 2025 Release

‘Knives Out 3’ Title Revealed as ‘Wake Up Dead Man’; Rian Johnson Confirms 2025 Release

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By Ethan Shanfeld Benoit Blanc is back to solve another mystery in Rian Johnson‘s third “Knives Out” film, titled “Wake Up Dead Man.” Johnson announced the title, along with a 2025 release date, in a teaser posted to X Friday morning. “In the beginning, the knives came out. Then, behold, the glass was shattered. But my most dangerous case yet is about to be revealed,” narrates Daniel Craig in the 45-second video, referencing the first two titles of the murder mystery franchise, 2019’s “Knives Out” and 2022’s “Glass Onion.” “Wake Up Dead Man” will be distributed by Netflix as part of Johnson’s two-sequel deal with the streamer, worth $450 million. Despite the first film, distributed by Lionsgate, grossing $312 million at the global box office, Netflix put out “Glass On...
Emily in Paris’ Season 5 Role Auctioned Off in Cannes, but Netflix Denies Renewal

Emily in Paris’ Season 5 Role Auctioned Off in Cannes, but Netflix Denies Renewal

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By Joe Otterson “Emily in Paris” Season 5? Not so fast. During the amfAR Gala at the Cannes Film Festival, which raises money for research to end HIV and AIDS, Winnie Harlow and Paris Jackson appeared onstage to auction off a walk-on role in a previously unannounced fifth season of the Netflix series. The winner of the auction shelled out €250,000 to appear in the series as well as the chance to attend the Season 4 premiere in Los Angeles. Harlow and Jackson also said that Season 5 of the popular series is scheduled to begin shooting in mid 2025. However, an individual with knowledge of the situation says that Netflix has not in fact greenlit another season of “Emily in Paris.” According to the official amfAR auction website, the walk-on role came “Courtesy of Darre...
In pictures: Mongolian projects pitched in Cannes

In pictures: Mongolian projects pitched in Cannes

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MONGOLIAN FILM COUNCIL Mongolia’s film industry is on the rise, with a momentum that began at Cannes in 2023. Zoljargal Purevdash’s If Only I Could Hibernate was the first Mongolian film to be shown in Cannes’ official selection when it played in Un Certain Regard last year, going on to win a jury prize at Tokyo FilmEx and scoring box-office success both at home and internationally. It was followed by Lkhagvadulam Purev-Ochir’s City Of Wind, the first feature from the Asian country to play Toronto and Venice. Both features followed the introduction of a film law in January 2022 to promote production in Mongolia, leading to the establishment of the Mongolian National Film Council (MNFC) and Mongolian Film Fund. International film productions can now receive up ...